A Quote by Nina Arianda
If you love job, then you have to know how to let it go. If you have a bad audition, I think you're allowed 30 minutes of pain, maybe a day if it's really that bad. But to allow a whole week? No. That would be contradictory to the process, I think.
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I think having pointers and having guidance from mentors is very important, but it never actually embodies what you go through. And if something doesn't feel good, why do you repeat it? If you feel good bemoaning an audition for a week, go for it. But if you feel better bemoaning an audition that didn't go very well for 30 minutes because you believe in the craft and the process, then I suggest you do that. And that's what I suggest to myself. The alternative is way too painful and destructive.
You've got the armor and everything on, and you think, 'This is going to be great.' Then they give you a sword, and you think, 'Ah, it's not too bad.' And after 10 minutes you're thinking, 'Please, I can't be doing this all day.' I mean, I really don't know how people sustained themselves in real battles.
I know I can do my job well. It's really strange. You have a bad year, a bad 15, 20 starts, and people think you can't do it again. I don't think that.
I would love to appear in 'The Defenders.' I don't know - because hopefully she'll maybe be on the bad side. I don't know - I don't know what they'd do with Elektra in 'The Defenders,' but that would be a good dynamic, I think - to be confronted by these four superheroes, and I think it would be interesting - I'd be curious to see what they do.
I don't think I've ever had a bad Valentine's Day, I mean... c'mon, y'all know I never get a bad Valentine. Nah. Um, no, I've never really had - I don't have a bad Valentine's Day. I never really think... it doesn't come up to my mind.
I love Ron Howard, he's a wonderful director, incredibly prepared. But I have to criticize my performance in that movie. It all took place in one day. My character was having a bad day, so she's having a bad day throughout the whole movie. But this was a comedy, and I think I was too serious, too dense. Yes, I think that describes my failure there.
Pain and suffering are in themselves bad and should be prevented or minimized, irrespective of the race, sex, or species of the being that suffers. How bad a pain is depends on how intense it is and how long it lasts, but pain of the same intensity and duration are equally bad, whether felt by humans or animals.
Actually, I think that turning 29 was more difficult, because once I turned 29, I anticipated 30 for the whole year, so by the time 30 came around it really wasn't that bad.
I don't think I'm bad for people. If I did think I was bad for people, I would go back to driving a truck, and I really mean this.
You know the pain is part of the whole thing. And it isn’t that you can say afterwards the pleasure was greater than the pain and that’s why you would do it again. That has nothing to do with it. You can’t measure it, because the pain comes after and it lasts longer. So the question really is, Why doesn’t that pain make you say, I won’t do it again? When the pain is so bad that you have to say that, but you don’t.
It was an audition process after Breakfast Club, and I wasn't really sure I wanted to do the movie. There was a bigger role that Rob [Lowe] was already set to play, so the role they wanted me to audition for was Alec. [Director] Joel Schumacher... this is back in the days when you could trick me with things like this. He goes, "Don't you think you can play it?" And I go, "Okaaaaay." So then I did it for all the wrong reasons but I don't think I would fall for that again. Who knows. I might.
It's a manic-depressive life. You run in here, you open your incubator, your experiment makes no sense, you think, 'I hate this job.' Then ten minutes later you think, 'Well, now, maybe I'll try this or I'll try that.' You do it because you know there will be an 'a-ha!' day.
Would a minute have mattered? No, probably not, although his young son appeared to have a very accurate internal clock. Possibly even 2 minutes would be okay. Three minutes, even. You could go to five minutes, perhaps. But that was just it. If you could go for five minutes, then you'd go to ten, then half an hour, a couple of hours...and not see your son all evening. So that was that. Six o'clock, prompt. Every day. Read to young Sam. No excuses. He'd promised himself that. No excuses. No excuses at all. Once you had a good excuse, you opened the door to bad excuses.
Love isn't relevant once things are really bad. They say love makes the world go round-but it doesn't, you know. Love is a luxury, and you indulge in it when things are OK. As soon as they are bad-really bad-there just isn't a place for it anymore-no place where there could be room for it
Every day you gotta bring it and you gotta perform. If you have one big bad hole and just hit a couple of bad shots at the wrong time, pretty much wrecks the whole day and most cases your whole week. So that's the hard thing about golf.
I have some friends whose sermons are extremely practical - so practical that I can put them right to use. I'm trying to learn how to do that better; but I don't think my approach or style really has changed in these 30 years. Whether that's good or bad I don't know, but I don't think it has.
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