A Quote by Nina Arianda

Michael Pitt is amazing. His physical comedy is extraordinary; he's so committed and so willing to play within the scenes. It makes you feel very free to also explore. — © Nina Arianda
Michael Pitt is amazing. His physical comedy is extraordinary; he's so committed and so willing to play within the scenes. It makes you feel very free to also explore.
At once I feel that comedy is this amazing sort of transcendent thing, and I'm also open to the fact that maybe it's just an evolutionary hiccup, something that upright apes do in their free time.
To be an actor and a director, I actually felt it helped me tremendously to be in the scenes of The Hollars, because as you can see, they're very intimate, very intense scenes. You don't want to break the actor's character and you don't want to break their momentum, so as the actor, I tried not to call cut as much as I could, and almost make it feel like a play, just set this environment where these amazing actors could do what they wanted to do.
He was so confident. But underneath that, behind the scenes, I knew Michael Jordan was a country kid from North Carolina, and it was that simple to him. He was a young man, at heart, who wanted to be one of the guys who loved to play and was willing to do whatever was necessary.
His [Pitt's] successor as prime minister was Mr. Addington, who was a friend of Mr. Pitt, just as Mr. Pitt was a friend of Mr. Addington; but their respective friends were each other's enemies. Mr. Fox, who was Mr. Pitt's enemy (although many of his friends were Mr. Pitt's friends), had always stood uncompromisingly for peace with France and held dangerously liberal opinions; nevertheless, in 1804, Mr. Fox and Mr. Pitt got together to overthrow Mr. Pitt's friend Mr. Addington, who was pushing the war effort with insufficient vigor.
It is not mere chance that makes families speak of a child who is 'extraordinary for his age' and also of an old man who is 'extraordinary for his age'; the extraordinariness lies in their behaving like human beings when they are either not yet or no longer men.
The Knack were a very, very powerful band, and you got to understand, when they came in, all the punk stuff was still going on. There was an amazing conflict within the scenes.
It has been often said, very truly, that religion is the thing that makes the ordinary man feel extraordinary; it is an equally important truth that religion is the thing that makes the extraordinary man feel ordinary.
I love physical comedy. Comedy that comes from an emotional place is amazing too and lets me develop in a new way as an actor.
George Lopez has to get a physical comedy checkup every year to make sure his bulging eyes don't get out of control... Good news George... you are humor free! There's no sign of comedy anywhere in your blood stream.
When I first started doing comedy years ago, I used to be the biggest Michael Richards fan. I used to love this dude. He was on a TV show called 'Fridays,' and man, he was tall and lanky - and I was tall and lanky. I love physical comedy, and he was a physical comedian, and I said, 'Man, I love this guy.'
I used the music kind of as therapy, and it's just amazing that I feel so free after doing that. I feel like I had it trapped inside of me and now I feel free. So it's been a very good therapy session for me as well.
This concern with the basic condition of freedom -- the absence of physical constraint -- is unquestionably necessary, but is not all that is necessary. It is perfectly possible for a man to be out of prison and yet not free -- to be under no physical constraint and yet to be a psychological captive, compelled to think, feel and act as the representatives of the national State, or of some private interest within the nation, want him to think, feel and act.
If a thing is free to be good it is also free to be bad. And free will is what has made evil possible. Why, then, did God give them free will? Because free will, though it makes evil possible, is also the only thing that makes possible any love or goodness or joy worth having.
Working with Sukumar was amazing. He's someone who trusts his actors and allows them to experiment with dialogues and scenes. When you're working with him, you learn a lot subconsciously, and that helped me in discovering the actor within.
Typically to get toward a productive outcome in negotiation you have to make the initial move of genuinely exploring someone's model. If you don't, it is unlikely that they will be willing to explore yours. And if you genuinely explore and understand theirs - without judging it - they will be willing to explore yours. Once they reach that point, they are primed to explore the productive combination of both models and won't be as obsessed about trying to make sure their model prevails.
Ronaldinho is total class - a very, very great player. He is quick, powerful, and has extraordinary technical qualities. He is a dribbler but is also a player who can make the play for his teammates. He's not really a No.10, a true organizer. He's more a second attacker who can score goals and has the vision to make them.
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