A Quote by Nina Blackwood

I could not do the film Spinal Tap because I was already at MTV and it was occupying all my time. — © Nina Blackwood
I could not do the film Spinal Tap because I was already at MTV and it was occupying all my time.
'Spinal Tap' is interesting because it created a genre of film and ended it - all in one motion. If you do a mockumentary, you are always going to be compared with that film, and you are never going to be as funny.
'This is Spinal Tap' was a film we felt really had to be done like that. It wouldn't have worked any other way. And it turned out to be the first time a fiction film had really been made in a documentary format. I continued to do that, obviously, because it's a fun way to work.
Music documentaries are tricky because of 'Spinal Tap.' That movie has stood the test of time.
I saw 'Purple Rain' in the summer of '84, and, 'Spinal Tap' notwithstanding, it's the greatest rock & roll film of all time. There's so much Prince coming at you that you have to remind yourself he's also a breathtaking guitar player.
There are people who think the film 'This Is Spinal Tap' is simply a very funny 'mockumentary.' Well, with Yes, we lived it. Take the hilarious scene in the film in which the bass player is trapped in a giant pod - that actually happened to Alan one night.
I don't know if you have ever seen the Woody Allen film 'Annie Hall,' but it is, in a way, to Los Angeles and 'Hollywood' what 'This Is Spinal Tap' is to many musicians.
Perhaps not unusually for a popular film produced over three decades ago, there have been a dizzying parade of corporate characters trading rights to 'This Is Spinal Tap' through the years. Yet our requests for timely statements of the film's income have been met with a series of slammed doors.
I'm really fond of 'Real Life' because I think it anticipated a whole movement. And people forget, they talk about 'Spinal Tap,' but that wasn't... this was a mockumentary a long time before that. It was one of the early, early sort of mockumentaries.
There's a little Spinal Tap in all of us.
I was in the pilot for Spinal Tap before it was a movie.
I remember once, years ago, I met Sting, and he told me that he had seen 'Spinal Tap' 50 times. He said: 'Every time I watch it, I don't know whether to laugh or cry.'
'Waiting For Guffman' was different right away from 'Spinal Tap,' because we didn't show the interviewer. That person became invisible immediately. That created a different way of tuning it and ultimately editing it.
When I was growing up, This is Spinal Tap [1984] was the ultimate comedy, and it was the kind of thing I wanted to do. But you get to a point with parody where you can't go much further because ultimately it's feeding off of somebody else's creativity.
That was Embassy Pictures, they went bankrupt shortly after This is Spinal Tap came out.
We lived the life with Keith Moon. It was all Spinal Tap magnified a thousand times.
I would love to do a comedy spoof, like a Spinal Tap kind of thing.
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