A Quote by Nina Dobrev
I haven't personally in my real life had many people close to me die, but my characters have, and I've had to live that as though it's real. And it can take a really big emotional toll on someone.
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Be real, because a mask only fools people on the outside. Pretending to be someone you're not takes a toll on the real you, and the real you is more important than anyone else.
If beef is your idea of 'real food for real people,' you'd better live real close to a real good hospital.
If beef is your idea of 'real food for real people', you'd better live real close to a real good hospital.
When I was younger, I just lived my life on paper. I didn't really live in the real world very much. As a consequence, I couldn't cope with the real world and real people very well. That in itself became life threatening, so I had to stop drawing so much and learn how to cope with people.
I'm someone who loves to enjoy life and tries to focus on real things and real friendships. That's why I live very simply. I'm a jeans and T-shirt kind of girl. I don't spend much time fixing myself up or trying to look cool. I live like a normal person and even though I'm in a very high-profile business, I really don't let it affect the way I live.
The dozens of people working on this at Digital Domain, they knew that you couldn't get away with almost photo real, because we had real real in the room. You have real real in the cut every four or five shots, so you have this constant yardstick built into the footage by virtue of there being no real robot there. So it became the standard of photo reality that the VFX team had to match.
My characters surprise me constantly. My characters are like my friends - I can give them advice, but they don't have to take it. If your characters are real, then they surprise you, just like real people
My characters surprise me constantly. My characters are like my friends - I can give them advice, but they don't have to take it. If your characters are real, then they surprise you, just like real people.
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
That was always what I felt was the beauty of Rock 'n' Roll, it was entertainment and showbiz yet it had the idea of the voice of the people, it had an essence to it which was socially motivated. Not that I want to change to world, you know? But it was sort of relevant to real life, it involved the real essence of poetry or the real essence of fine art. But it was also entertainment. That was the real vitality.
I did a film called 'Floating' early on that had a scene which was similar to a real-life situation I was in at the time. It involved me having a conversation with my father, who was dying. It was close to home and it made me realise acting wasn't just making faces for the cameras, it was a real art form.
I went through a period in my life when I had no friends, when the phone never rang, when I thought I would die from loneliness. I know that the real blessing here isn't that I have a book published, but that I have so many people to thank.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
Life in a small town is like an intricately plotted novel, and even though I had read every book in the public library by the time I was fourteen, I found the real people around me saying and doing far more interesting things than did the imaginary book characters.
I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that.
Sometimes I think that the amount of time you live on earth is just an inverse reflection of how good you were in a previous existence. For example, infants who die from SIDs were actually great people when they were alive for real, so they get to go to heaven after a mere five weeks in purgatory. Meanwhile anyone Willard Scott ever congratulated for turning one hundred two was obviously a terrible individual who had many many previous sins to pay for and had to spend a century in his or her own unknown purgatory even though the person seemed perfectly wholesome in this particular world.
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