A Quote by Nina Dobrev

I really want to be associated with great projects and character driven projects and films. I have to feed my soul, and keep feeling like an artist and keep being challenged. — © Nina Dobrev
I really want to be associated with great projects and character driven projects and films. I have to feed my soul, and keep feeling like an artist and keep being challenged.
I just want to keep being involved in great projects that push positive messages to people.
I just like artist-driven projects, but for artists themselves: artist spaces, artist mentor programs, and artists buying buildings and making lofts. Doing whatever we can do. Because at the end of the day, I really think that we as a community only have each other.
I've been so blessed since doing 'I'm A Celebrity'... It has changed my life, and I just want to keep on being offered fun projects like 'The Jump' to do.
I have been lucky in getting a lot of the projects I've wanted, maybe because I'm really, really driven. But there is a stigma that women can't direct big studio films. Not that I want to do that, but it is a topic that comes up a lot.
I always try to pick and choose projects that will be impactful to someone. From films like 'Clockers' to playing a doctor on 'ER' to doing '8 Mile,' where I'm in charge of the hip-hop battles, I think it affects all kinds of different audiences. And I just try to keep that in mind, to keep people entertained.
If films don't work, you have to be realistic and keep taking up television projects.
On the one hand, you have these huge budget films that cost millions of dollars. They are effects driven, they don't have well known actors in them, and they are making money. Well, some of them are. One the other hand, you have Stallone and Statham, and guys like DeNiro and Pacino, and Costner, who are all trying to make movies about real people. They are interested in character driven projects.
Neil and I share a desire for great quality in our work. If we are offered projects, look at projects, or consider projects that don't have that quality, then we don't do them.
My films are my choices and I am extremely proud to be associated with my projects.
Unlike someone like Tom Hanks, or U2, the comics industry is not a thriving industry and we all need to keep and expand our audience. The best way to do that is to keep the fans we have happy and to keep them excited about our next projects so they'll keep following our work. The best way to do that is to continually engage them in conversation. I don't mean to sound flippant by any means. We're not being nice to our fans because we have to.
I hope I get the chance to keep acting in great projects.
I am open to keep on discovering new interesting projects, and little by little I have been coming across very beautiful projects with very affectionate directors.
I've really been sort of focused on acting and I feel really lucky because great projects sort of keep coming my way. I guess the criteria that I look for, it gets increasingly difficult because when you have the privilege of working with someone like Diane [Keaton], it's kind of like, 'Well, where do you go from there.'
We have disappointments all the time in the business, and I've lost way more projects than I've booked. I've learned from every opportunity and have been chosen for some really great projects!
For me to start working, projects have to catch my attention whether they are here (in the USA) or in Mexico. All I want is to be involved in projects that are interesting to me, projects that are a challenge wherever they may happen, in Spain, in China, or in Hollywood.
As an artist, you just want to keep creating, keep finding a place that really inspires you that feels fresh and new and keep it exciting.
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