I just fell into the job as a fashion editor at a teen magazine. I was there for two years, and I left there as a senior fashion editor at the age of 25.
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
I grew up around fashion - my mom was an editor for Vogue. Compared to the music industry, though, I'd say [fashion] is a little bit more disorganized. But it's exciting for me because, when you're a performer, there is a fashion element.
I wasn't a fashion editor. I was the one and only fashion editor.
My first job in the States was as a junior fashion editor at 'Harper's Bazaar,' which I enjoyed, but not for all that long because I was fired by the editor in chief, who told me that I was too 'European.'
It's incorrect to assume you can be a fashion editor because you blog, if you don't have experience to look at fashion in a professional way.
I always warn aspiring reporters to observe three basic rules: 1. Never trust an editor. 2. Never trust an editor. 3. Never trust an editor.
I was always into fashion because my mom has always been interested in fashion. She majored in fashion merchandising in college, and it's always been something we have in common.
I worked in fashion forecasting and I think that helps in being an editor because I love to know what's next, and I like to predict. I like to predict the trends going into the shows and normally I've organized all of our stories before we go. Fashion is my second language.
I probably don't conform to most people's idea of a fashion editor.
You do not need to go to journalism school if you want to work in the fashion industry. I think high schools condition you to think this way: If you want to be a fashion editor, go to fashion school. If you want to be a writer, you should study journalism. I think that the best school in life is experience.
Movements are powerful forces of human nature. But fashion has never been egalitarian. There needs to be a balance between aspiration and accessibility, curation and community.
I've always enjoyed fashion and dressing up for things, whether it's high fashion or play fashion.
Where fashion in clothes, bodily adornment, and music are concerned, it is the underclass that increasingly sets the pace. Never before has there been so much downward cultural aspiration.
I want to achieve anti-fashion through fashion. That's why I'm always heading in my own direction, in parallel to fashion.
Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.