A Quote by Nina Gordon

It's magazines like HITS that have to label things. — © Nina Gordon
It's magazines like HITS that have to label things.
Most of the time, when I had hits as a soloist - maybe not so much with Simon & Garfunkel - I was surprised they were hits. I didn't know what the hits were. I never thought that 'Loves Me Like A Rock' was going to be a hit, or 'Mother And Child Reunion,' or '50 Ways To Leave Your Lover.' They didn't sound like what the hits sounded like at the time. Radio was more open to things that weren't exactly what every other hit was.
You might be like, 'I want really big hits.' But when you get really big hits, and your label is making $150 million, they are people who are now interested in what you do. They are going to begin to tell you what to do, and so you become important. So your creative freedom - you're not going to have that again.
It's oppressive. ... It's food, it's clothing, it's all the magazines that come under the heading of things looking simple. Men's magazines don't seem to do this. They seem to be about things that are fun, not things you have to spend lots of hours on and then fail at.
So you do shorter versions of the hits, or you take out a long guitar solo or things like that to make time for the hits and new music as well. But I don't think any of us ever get to do as much new music as we would like to.
I had the most frustrating thing happen when I was trying to find a label. I sent my album to this indie label, and they were like, 'We already have two girls on the label. I'm so sorry, we just can't take your project.'
Me, I'm not a guy who's dealt with a lot of death in my life, so when it hits you, it hits hard, you question different things.
It's the subconcussive hits, the constant bam, bam, bam that linemen like Suh give and receive. Those are the hits scientists say cause the lasting damage to the brain, the kind of injuries that made guys like Mike Webster, Terry Long, and so many others go crazy. The subconcussive hits - every single play.
I love fashion magazines and style magazines and when I'm travelling on an aeroplane I always have a big bag slung over my shoulder, which is full of magazines.
I love the architecture magazines and all of the French magazines for decoration or whatever. I end up enjoying them more sometimes than the fashion magazines.
I like magazines. I love to look at a magazine. But the magazines have got to get better. Everything pushes someone else to get better. So the Internet pushes the magazines.
Everything keeps changing. People want to label things all the time and once you label it, it changes again.
I'm a magazine junkie. I have 30 different subscriptions to various magazines, and I like old-school, real magazines.
A Name Is A Label, And As Soon As There Is A Label, The Ideas Disappear And Out Comes Label-Worship And Label-Bashing, And Instead Of Living By A Theme Of Ideas, People Begin Dying For Labels... And The Last Thing The World Needs Is Another Religion.
I never looked at magazines before I started modeling. I was 13 or 14 and none of my friends were into magazines. We were into the fashion of the day, though. Designer jeans were really popular - Sasson, Gloria Vanderbilt, Calvin Klein, Jordache. Once I started modeling, I began to learn about these things, and magazines helped me to understand who was who.
I never fit into any box, even in my boxing style, and when you try to put a label on me it's like I have to disprove the label. I'm weird like that.
Back in the '80s and '90s, when there was still a record business, there was pressure on anyone who was fortunate to have a few hits on a major label to continue that success.
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