A Quote by Nina Hoss
In 1995, I went to Berlin to acting school, which was in East Berlin. And I decided to live in the east, because I thought if I go to West Berlin, I might as well stay in Stuttgart in the West because I know all the signs, and the way we deal with each other, and I wanted to get to know the other part of Germany and how they lived and what their history was and their biography. In that period of time, I learned a lot, and it helped me a lot.
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My first visit to West Berlin was in February 1983. The drive through East Berlin, the fact that West Berlin was surrounded by a wall that was more than 100 miles long - the absurdity and intensity of it really knocked me out.
Chocolate and candy. That's what we brought in to our friends. We worked in East Berlin with other artists who were smuggled out to come work in the Western Bloc. It was extraordinary because people in East Berlin just wanted to know what was happening. Music. Fashion. The news. All of the things we get every day.
I remember I went to Berlin right after the Wall came down. I first went to East Berlin, and all the buildings were old and falling down, and now when you go back to Berlin, you know you're in the East because all the buildings are brand new and very tall.
I think that, certainly, most of my operatic roles are in German. I think it happened because, of course, I was lucky in that I was invited to sing, first of all, my operatic debut in Berlin at the Deutsche Oper Berlin, which was West Berlin at the time.
Berlin is still going through a transition since the Cold War - both in what used to be East and West Berlin. I can still sense the confusion and the struggle for identity there in the streets. There's a pulse to it.
I know when the Berlin wall went down and I walked into what was East Berlin and saw two big Nike banners - that gave me a chill.
Berlin is the testicles of the West, every time I want the West to scream, I squeeze on Berlin.
When I was 16, I went to Berlin - West Berlin, since at that time a wall still divided the city - to live for three months with a family on an exchange program.
When I was a kid, while touring East Berlin - back when there was an East Berlin - I got my left foot stuck in an escalator in Alexanderplatz. A few hours later, thanks to blowtorches and chainsaws and East German soldiers and the U.S. Embassy, my foot was released, and I along with it.
It is advertising that enthrones the customer as king. This infuriates the socialist...[it is] the crossing of the boundary between West Berlin and East Berlin. It is Checkpoint Charlie, or rather Checkpoint Douglas, the transition from the world of choice and freedom to the world of drab, standard uniformity.
If the purpose of the wall was to destroy Berlin, Herr Ulbricht and his cohorts have erred sadly. Berlin is not only going to continue to exist - it's going to grow and grow and grow. Its ties to West Germany will not be severed.
The Berlin Wall fell because the East Germans saw the West had more. The Koreans don't like the Japanese and try to prove to them that they are worth more in the industrial arena.
A foreman in the East wouldn't know how many workers he would have the next day, because part of his working force had left the system to go to West Germany.
The Berlin of the '20s formed the foundation of my future education... the Berlin of the UFA studios, of Fritz Lang, Lubitsch and Erich Pommer. The Berlin of the architects Gropius, Mendelsohn and Mies van der Rohe. The Berlin of the painters Max Libermann, Grosz, Otto Dix, Klee and Kandinsky.
Sometimes, because of its immediacy, television produces a kind of electronic parable. Berlin, for instance, on the day the Wall was opened. Rostropovich was playing his cello by the Wall that no longer cast a shadow, and a million East Berliners were thronging to the West to shop with an allowance given them by West German banks! At that moment the whole world saw how materialism had lost its awesome historic power and become a shopping list.
Berlin is still a very edgy place, a very cosmopolitan place. It's a place where completely different ideas and cultures come together and clash in a very warm way. In a very warm-hearted way. It's a very young city. It's a vibrant city. It's an exciting city. It's a city that's also scarred by history. I think that's to be celebrated and graffiti is to be celebrated. Graffiti in Berlin is very different than when they spray something on the wall dividing the west bank and Israel. And should be treated as such in Berlin.
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