A Quote by Nina Nesbitt
A song like 'Loyal To Me,' for example, I originally wrote that for a girl band in mind, that's why it has so many harmonies and it's got that sort of '90s/R&B feel to it.
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You are hearing this song, and you're 16, and it's a song about love, or a girl. And then maybe there's a girl at school that you like. So you're going to be thinking about that girl. That song is sort of about that girl. The songwriter doesn't know that girl, obviously. He wrote it for something else. But there's the specific meaning with the universal again.
I was married at the time when I first joined the band and my wife said: 'Why don't you write a song about me ?' So I wrote 'She's got balls'. Then she divorced me.
That's why 'Chandelier' was interesting to me... I wrote the song because there's so many party-girl anthems in pop. And I thought it'd be interesting to do a different take on that.
When I originally wrote "Jealousy," it was more like an exercise to try to write a girl-group kind of pop song. It was really contrary to most of the material I'd ever written. I didn't pay much attention to the song after I'd recorded it. I didn't really perform it at all the last 20 years. When it came time to make the new record, I decided to make peace with the song and have fun with it.
I'd say the key thing is to remain true to what originally got you into music. When I wrote 'Hallelujah,' it ignited me to do music because of the love and joy that I got from writing that song. Down the road, you get all of these opinions from people; just remember what got you started in the first place.
I wrote 'Lights' a long, long time ago. And I expected it to be on the album, because it was - I wrote it with 'Biff' Stannard. And he wrote every single Spice Girls song and every single pop song of the 90s, basically. So I thought, you know, I was really lucky to work with him, but I didn't think it would be a big song for some reason.
The inspiration for our vocal harmonies was sort of Appalachian. It's sort of at weird intervals, and it almost has an Appalachian kind of feel to it. The harmonies were really spontaneous. And the way we jammed, we would just get into a trance.
It's weird to me to even say, "I wrote this song." I never feel like I wrote it; I feel like I heard it.
I feel like every time I write a song, it feels like the first time I wrote a song. It's just as hard; it doesn't get easier, but that's why I love it: because it's a challenge every time. I also feel like I'm learning new ways.
To me, the band is like one of my homes, in fact. It's not like, 'I've got to get out of this band. I've got to go home.' This band is home in a lot of ways. It's my closest friends; it's a place where I really feel comfortable and happy.
As a girl, I am this stupid, emotional, very loyal, sort of believe-in-values-and-principals sort of girl.
The very first song I ever wrote was a song called 'Crazy' when I was 11 or 12 with my best girlfriends - we had a girl band. It was about loving a guy who everyone else thought you were crazy for being into.
The interesting thing about a song like 'Bulletproof Heart' - it was [originally] called 'Trans Am' - the interesting thing about the amalgamation of that song was that the song also lived within us, like we all got to live with the song and it was around for about a year before we recorded it again, so the song got to really transform, which you don't really get to do.
I think that the song, the song "Stand By Me" is one of those songs that... and someone asked me, what was you thinking about or what was you feeling about? It's something that, songwriters just write songs. It's like an artist that paints. They paint what they feel. It's not, it's not about how many of these painting I'll sell it's just how they feel at the moment. And that's how I wrote "Stand By Me".
To be sure, the dog is loyal. But why, on that account, should we take him as an example? He is loyal to man, not to other dogs.
My first favorite band that made music important to me was the Beatles. I was a little kid. I didn't know who was singing what song or who wrote what song.
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