A Quote by Nina Nesbitt
I've always been very independent, and I love being able to enjoy different parts of music. It's amazing to be able to hear the sound in your head and instantly make it come to life.
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It's not the music you hear in your head that other people are going to hear. You have to be able to make it true enough to the image in your head, and that's where technique and technology come in, for sure, and knowledge. It's not true and will never be true that someone who knows nothing can sit in a basement and make great music.
It's always exciting to see different cities I love, and go on tour buses. It's so much fun to travel. My favorite part is being able to perform live in front of all these amazing people; being able to connect with them and seeing their reaction makes me feel very special.
What I'm after is a composed music that will sound like improvised music when improvisors play it. You shouldn't be able to tell what parts are being improvised and what parts were written out beforehand; it should sound like the same music.
Don't get me wrong: there are aspects of buying music online that I love. Instantly being able to hear a song the moment it crosses your mind? Where's the downside? However, I do feel for those too young to remember the thrill of going record shopping.
I had a lot of time to myself, and I would listen to a lot of music, mostly music that I knew fairly well and had a relationship with. And I'd think, well, what is it that I've never been able to do that this person or people are able to do with this song? Why haven't I been able to do it, and what can they do that I wish I could do? And then I'd try to do that. I'd start each day getting into the songs, and I'd think about how I might get closer to this music that I love, but haven't been able to make before.
My life has shifted to different levels financially, in terms of fame as a result of being blessed enough to be able to share my music with the world, and what that has done for me. Despite all of that, I always want people to listen to my music and be able to relate to it as well as to me.
I would love to be able to program myself to pick up any instrument and to be able to play it very, very well, and to be able to read music and dance as well. I'm very uncoordinated, and I'd love to be able to bust a really great move.
I just want people to hear the music the way it's suppose to sound, the way we meant for them to hear it. You sit in the studio all this time and make the music, tweak it, try to get it perfect. They should be able to hear it that way.
I love to communicate, and I love music. That's why I always thought not being able to hear would be a tragedy.
I think as a Canadian hockey player, you go through it in your mind so many times, being able to stand on that blue line and hear your national anthem play and being a gold medal champion, you dream of that. And then to be able to accomplish that and actually win a gold medal and represent your country its an amazing feeling.
I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
I'm putting everything on the line in being able to express myself in a different way than rappers normally do. They might say, 'It's rap' or 'It's R&B,' but I'm stepping outside the box and making music for me and making music for the fans to understand me. I'm going the extra distance to be able to come across different.
As far as my single selections, over the years it's been a very essential part of my survival tactic, but I have no problem being able to jump on records with whoever people think is the rawest rapper in the game or number one or King or whatever they wanna name themselves, to be honest with you. It doesn't affect me, 'cause that's what I come from; I'm comfortable in that zone. But I don't wanna make hood music, I don't wanna make street music, I want to make world music, global music, international music.
I'm able to provide for my family and the people that I love with things that I never used to be able to. I'm getting to make music and work with amazing people. I just feel really lucky.
Music has always been a large part of my life, and I'm very fortunate to be able to start a career doing something I love.
It's just the overall lack of privacy. I've always been a very shy person and so it invades that a lot. It goes with the territory so I'm very grateful to be able to do what I do. I love it and I love acting. I love being on set. I love the whole practice of filmmaking but the lack of privacy is hard. Fans are amazing because for the most part it's just love that they are sending to you. It's beautiful.
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