A Quote by Nina Nesbitt
I'd been an artist since I was 17 and I was used to just putting things on iTunes. So I was like, I need to educate myself and figure out the new industry.
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But I love the idea - whether it's in my work or where I live - exploring new frontier, and I like putting myself in strange places and trying to survive and figure things out and gather up an infrastructure. I like knowing that I could figure out a way to live anywhere.
I thought, 'Okay, what's going to be my edge, and how am I going to define what I'm doing differently?' Once I had that key idea of the software developer as an artist, once I had that idea, a whole bunch of other ideas flowed from that, because I realized that I need to go study the music industry, I need to study the book publishing and Hollywood and figure out how they do things, why they do them that way, and then I need to borrow, and rearrange, the things that they're doing to fit my industry so that I can invent and create this new industry.
As a teenager, in my songbook, I used to script what my lighting would be like. I used to dance in my roo;, it was like putting myself in a trance, and making myself feel good about things, almost like a private ceremony of begging people to like you.
I remember learning new words, trying to figure out what common things like cider, finding myself upset that my parents couldn't help me understand this new culture, that it was up to me to interpret for them as well as myself.
I do consider myself a competitive person, but I'm not competitive to the point where I will do anything to win. I wouldn't step on somebody just to get to the next level. I would have to do it fair and square. I'm kind of competitive in a way to where I like to figure out things myself, and if I need help, I'll ask.
I like my job because it involves learning. I like being around smart people who are trying to figure out new things. I like the fact that if people really try they can figure out how to invent things that actually have an impact.
People say if you keep making work and keep putting it out, better things will come. I think artists should never forget that. I think that's what you have to be committed to if you're an artist, that's where the good feelings come from. It's so easy to get caught up in other stuff, like the business part of it. If you just have to be aware, just keep putting it out there.
If you are not going to produce albums then you are not going to produce new fans. It's impossible. I'm a huge believer in putting music out as quickly as early as possible, touring hard and then working on putting the next one out. I don't need to break. I just need to put a record out.
Get me selling and I can figure out the industry. Once I can figure out the industry I can start a business in that industry.
Basically, I've reached the point where I've lost any direct relationship to any of the editors I used to have. I suspect I'll have to pay to publish this myself, and I think a lot about about putting out fifty copies. I used to think about hogwash like my legacy and silly things like that. But I feel like if I never have another book out, I've done okay, I've had like twelve or thirteen little books, and I won't be upset about this on my death bed.
I have been hearing gossip and lies since I began working. When I was 17, I used to get very angry because I opened a magazine and I saw myself in a picture on a motorcycle, and the headline was, 'I'm getting married next month.'
There questions of wanting to be an artist, and what does that mean, what makes you an artist? Are you an artist if you're in a gallery in New York and not an artist if you're doing it at home? Do you need legitimation to count? If you've been acculturated to believe that you have certain obligations - familial, social, human - if multitasking has been your forte and that's what's been praised and rewarded, where do you find the single-mindedness, the selfishness to do something like art? I think those are questions that arise differently for women and for men.
I can't really see myself as an artist. Now, to step out here and there, do it when I feel like it, that's a possibility. But for me to be a full-fledged, full-time artist in the industry, I don't think so.
We need to educate young people to deal with new modes of education that are emerging with the new electronic technologies and we need to educate them to not only learn how to critically read this ubiquitous screen culture but also how to be cultural producers.
I'm a bit of a shopaholic. I've been working in the Bollywood film industry since I was 17, and I have always been financially independent, but I think I would be useless looking after my own money.
When somebody else calls you exotic, exotic is a box - it's the stereotype of snake charmers and face jewelry. You're just that stereotype. But I don't get offended anymore. I used to get offended by things that were said to me, or how I was seen. Now I educate. If I get pissed off, I'll educate in a sassy way. Other times I educate in a Gandhi-like way. You know - I have my moods.
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