A Quote by Nina Nesbitt
Then when I was writing alone, I'd just be in my bedroom in London and I had a little studio setup. I was like, You know what, if no one's gonna produce my music, I'm gonna have to learn how to do it myself.
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My studio's always in my house. I want to wake up and be like, 'You know I'm gonna make music today in my underwear. You know what, I'm gonna be in my pajamas. You know what, I'm actually just gonna stay inside for the next three days so I can make music.'
If you're a real hip-hop fan and a real street music fan, and you just love good music, you're gonna play it from top to bottom, and you're gonna get the concept, you're gonna get the story of my life, you're gonna be entertained, you're gonna dance you're gonna feel emotion, you're gonna get the truth, whether you like it or hate it.
Be yourself and do what you actually like doing as an artist. Don't try to think too much about where am I gonna fit in here, and how is this gonna be received, and who is gonna like this? Just do what you like doing and make sure that you enjoy doing it. If you do that and you get good at it by practising, then people are gonna come around - there's so many people out there that listen to all kinds of music. It's important to just do what you like, otherwise the fun gets sucked out of it.
In the first season (of 'Californication'), when we had the threesome with the nipple clamps, I was, like, 'I don't get this, I don't know how you're gonna do it.' And then, all of a sudden, there's a crane with a camera hanging over our heads, and you're, like, 'Okayyyyyyy. But how are you gonna sell this? How are you gonna make it work?' And they ended up shooting it brilliantly, cutting it together, and it just all ended up working without me having to compromise my own personal morals.
I always knew music was gonna be my outlet, I just didn't know when, or how it was gonna happen.
My career was one of just taking it step by step. I didn't know how I was gonna fare on the professional circuit when I qualified. I didn't know whether I was gonna make a dime. I didn't know anything but this one thing: I had some dreams, and I was gonna work harder than anybody out here to ply my trade.
I don't think it's changed that much when you go on the principle if Garth introduced more rock into country music, then Florida Georgia Line's gonna introduce more dance and more beat-driven stuff into country music. That's just how it's gonna go. So whatever influences you as a kid, you're gonna put in your music.
For a long time, I was afraid to be alone. I had to learn how to be alone. And there are still times when I think, Uh-oh! I gotta talk to somebody here or I'm gonna go crazy! But I like to be alone. Now I do. I really do. There's a big luxury in solitude.
I love music. But I'm not gonna work myself to death. If there ever comes a point where I'm not enjoying it, then I'm not gonna do it anymore. I've promised myself that. I've written it down on paper and signed a contract.
I know that the gift that God gave me isn't gonna just wither up and die unless I let it die, so it's a matter of me having the faith that it's gonna come out. Whether or not the public's gonna like it is another story. But I think as long as I keep changing and sticking to what I really love - and the same goes for Steven and the other guys in the band - then people are gonna like it.
I had heard everything, Larry gonna knock me out, he gonna beat me, this and that. I got so sick of that. I had a little talk with myself in my bedroom and I said, Don't think about getting in the ring with Larry Holmes, I mean, Don't forget Larry Holmes is getting in the ring with you. You're champ for so many years. And just do what you're best at. What I am best at was not letting anybody have their way with me in the ring.
All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.
Originally, I was set on going to Hawaii Pacific University. We visited the campus in Hawaii. I was gonna be a Rainbow Warrior. I was gonna play softball. I was gonna major in marine biology. Everything was set. Then my dad was like, 'So you're not gonna do music? If you do go to Hawaii, there's no studios there, baby girl.'
If you can give it, I can take it
'Cause if this heart is gonna break it's gonna take a lot to break it
I know tonight, somebody's gonna win the fight
So if you're so tough, come on and prove it
Your heart is down for the count and you know you're gonna lose it
Tonight you're gonna go down in flames
Just like Jesse James
The left are gonna calling you names. You're gonna be racist, gonna be a pig, gonna be sexist, you're gonna hate women, you're gonna hate blacks, you're gonna be anti-transgender, whatever. They'll come at you in all directions to force you into acquiescence.
It doesn't matter who the candidates are. It doesn't matter the campaign. You know that's gonna happen. The Washington Post is gonna do it, the New York Times is gonna do it, the three networks gonna do it, CNN's gonna do it, MSNBC gonna do it, all the newspapers are gonna do it. For the vast majority of them. There are some exceptions. That sameness ends up being its own authority. If everywhere you look in the media tells you the same thing, you don't have to research.
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