A Quote by Nina Nesbitt
I had basically been shelved by the record label for two years and I was writing songs every day. I made two albums that just never came out, and that was just a really big knock to my confidence, because everything I sent seemed like it just wasn't good enough.
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I think some people had, probably, a time in their life where they were good at two things and they had to make a big decision. For me, it was never like that - I just skied every day of my life and kind of made the right steps in the right direction, and so there wasn't really a choice of like, "What should I do?" I remember when I was like 10 years old, I was just wanting to be in the Olympics and wanting to compete in the World Cup, and there was never another choice in my head.
When the label came to me to say, 'would you like to do another record,' I said, 'Well I got these sixteen songs sitting here, so let's do it.' And that was pretty much it... I never stopped writing, it's just the way that the business is now; you just try to find a different model.
Back in the day, if someone at the record label didn't care or like your music, it never got to the public. It just got shelved.
I had the most frustrating thing happen when I was trying to find a label. I sent my album to this indie label, and they were like, 'We already have two girls on the label. I'm so sorry, we just can't take your project.'
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
(After getting out of another treatment center) I came home one Sunday morning. I sat on the edge of my bed. I never grew up going to church. I never read a Bible. I wasn't anti-God. I just never thought about God. I just lived for myself and thought about myself...I was married by this point. I'd been married for two years. So, here I am sitting on the edge of my bed, nine o'clock Sunday morning. I have a son who's not quite two yet and I just broke down crying because I had been out all weekend doing cocaine.
Growing up, I was a typical high school kid when YouTube first came out, and I was just watching a whole lot of videos of guys in the league I'm playing with now, guys that aren't in the league, and guys that came before me, just watching the moves that they do, and going out in my backyard and trying them. I did it almost every single day. And I didn't do any crazy dribbling drills or any two-ball dribbling drills. I'm really not good at two-ball dribbling. Nah, never did that. I just went out and tried the moves that I saw.
I read about two reviews early on when my first record came out, and it just freaked me out, good and bad, so I've never really kept up with that side of it.
Through the years I've accumulated this big bag of songs. When I go out I do close to two hours, and it's all just attitude - and up-tempo. I've accumulated so many of those types of songs now that the show just gets off with a bang, and I'll only do two or three ballads the whole show.
We just wrote songs that seemed good to us. We wrote the album in like two weeks. We could have had more time, but we accomplished what we needed to in the two weeks.
I liked it. I liked her. And every time I saw her, she seemed more beautiful. She just seemed to glow. I'm not talking like a hundred-watt bulb; she just had this warmth to her. Maybe it came from climbing that tree. Maybe it came from singing to chickens. Maybe it came from whacking at two-by-fours and dreaming about perpetual motion. I don't know. All I know is that compared to her, Shelly and Miranda seemed so...ordinary.
This is basically the last resort. I've been painted into a corner, and now I've sort of got to lay it all out in order for things to be straightened up. I've tried to move on with my life and my career for the last two years and do my own thing, and 'American Idol' and FOX, they've just been making it really tough for me to do that. So in order for me to get through all the red tape and just allow people to just get at my talent, I've got to set the record straight. And you can't set half the record straight; when you tell it, you've got to tell it all.
We had just played a sold-out show and it had been a fun night when we heard the news. It brought everything back to reality. He was a brilliant guy. He was an aerospace engineer and an entrepreneur. We were just starting to write new songs two weeks after he died. We were still grieving. So that was naturally a big subject matter for the album.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
I wish it was clear for me how it happened [stop writing songs], then maybe I could start writing again. But it's kind of an "it." It just submerged itself. Because the way I had always written was just that it came out. It just happened.
I write a lot of songs about love and I think that’s because to me love seems like this huge complicated thing. But it seems like every once in a while, two people get it figured out, two people get it right. And so I think the rest of us, we walk around daydreaming about what that might be like. To find that one great love, where all of a sudden everything that seemed to be so complicated, became simple. And everything that used to seem so wrong all of a sudden seemed right because you were with the person who made you feel fearless.
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