A Quote by Nina Nesbitt
I feel like there's a lot of albums that are like 'woo! we're young, let's have fun' and there's a lot of albums that are abstract, with mature lyrics.
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There are parts in albums where I wrote a lot of the lyrics. There are parts on albums where Steve wrote a lot of the lyrics, even albums where Steve did the majority of the lyric writing. Then there were albums like 'Coming Home' where I did most of the chorus lyric writing. But it was always split.
There's not too many one-producer rap albums. There are lot of one-producer rock albums... and country albums.
I listen to all the top 20 songs, and top 20 albums, even the rap albums. But I don't like negative messages. If somebody is putting a lot of ego out there, I don't like it. When I make my records I want it to be sincere.
I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.
I feel quite excited about the possibility of working on multiple albums. There's something really iconic about having a catalog featuring a lot of albums, and I'd love to have that legacy.
I started running to different albums, and I was starting with the short albums and moving on to the longer albums. I was interested in how they built up, in tempo and intensity. it made me interested in albums again, too.
MTV made a huge impact. Heavy rotation took you from selling 1m albums to 20m albums, and that meant a lot of dough.
I feel a lot more comfortable being me these days. I'm constantly told that my work is good. A lot of fans and a lot of other artists say my songs and albums mean a lot to them. Isn't that what's important?
A lot of incredible rap albums over the past couple of decades have deserved Album of the Year. 'To Pimp a Butterfly' is an extension of those albums.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
There are albums that I like because of specific songs, but then there are albums that I like as a complete body of work. 'Ghetto Fabolous' is an album I lived with daily.
Our business has changed so much. Do people even want albums, or do they just buy singles now? You sort of feel like you're the last guy manufacturing VCRs... but I really like albums, and so I like doing them. I'll be the last one making them, even when no one's buying them.
I did albums for Cash Money. I didn't do singles - I did whole albums for Cash Money - and at the end of the day, I'm saying I wasn't paid for albums, so its like you're doing 10 songs, and somebody pays you for 1.
I look at it like this: you may only sell 20,000 to 100,000 albums. But those albums are going to be heard by future doctors, lawyers, judges, firemen, etc. Those albums are being sold to the right people that move society. They're interested in what you have to say.
Albums are great but for an artist like me, I don't think albums are the way to go.
In the recording process I do listen to other artists a lot and other albums and albums I am loving lately, or ones that I still love that came out in the 80s or 70s.
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