A Quote by Nina Nesbitt
But shows like 'The X Factor' are a great showcase but people are not taking it for real music.
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I've always found that there are loads of people out there with real talent will never get discovered. Shows like 'The X Factor' can help that and give people the confidence to do what they want.
I think the Rock and Roll Hall of Fame, first of all, has got to be put into the context of being an American cultural showcase. It's there to be a museum showcase of all that's great about American music.
People always focus on people like me who use synthesizers, right, which are explicitly electronic and therefore obvious. "Ah, yes, that's electronic music." But they don't realize that so is the concept of actually taking a piece of extant music and literally re-collaging it, taking chunks out and changing the dynamics radically and creating new rhythmic structures with echo and all that. That's real electronic music, as far as I'm concerned.
The 'American Idol' and 'X Factor' shows, they're great shows. But I think I need to make a show like that, directed straight to the hood, to the artists that don't get the attention, that don't have the money to make themselves representable.
The X Factor is something that's real. Once you find that X Factor, it's undeniable. No matter what the critics say about our band, we obviously have the X Factor. Redfoo has got the X Factor.
I think a lot of people are getting bored of audition-based shows, along the lines of 'Strictly Come Dancing' or 'The X-Factor'. I know I am. But 'Dragons' Den' will have a longer shelf-life than all of them because it's fundamentally real in a way that other shows aren't.
What I would argue in my defence is that shows like Britain's Got Talent and The X Factor have actually got people more interested in music again and are sending more people into record stores.
What I would argue in my defence is that shows like 'Britain's Got Talent' and 'The X Factor' have actually got people more interested in music again and are sending more people into record stores.
Taking employment out of the country - now that's taking away jobs. These shows employ a lot of people: production, post-production, music supervisors, camera people. A hundred people or more.
I can't watch shows like 'The X Factor,' for instance. I just squirm for the people involved, for the way they're being used. It's the cruellest, most ridiculous show on television. It's ruined music, ruined everything.
Eliza Factor's first novel, 'The Mercury Fountain,' explores what happens when a life driven by ideology confronts implacable truths of science and human nature. It also shows how leaders can inflict damage by neglecting the real needs of real people.
In my opinion, it seems like music is taking a bit of a turn. Look at Mumford and Sons, and the Lumineers. It seems like people and music fans are enjoying the more artistic side of music, and that popular music is taking a turn and accepting that, so I appreciate that.
I used to be a big 'Star Search' fan. I think it's great people who have a music dream have a place to showcase their talent.
I recognise a lot of myself in these kids who enter shows like Pop Idol. It's very hard to get into the music industry and you have to take every opportunity that you can. Something like Pop Idol is a great opportunity but unfortunately, I think it's tainted by the people that make these shows.
'2 Dope Queens,' it was just a way for us to showcase female comedians, showcase comedians of color, showcase LGBT comedians, and shake up the landscape and be like, 'Hey, there is more than just what is out there.'
I know a lot of fans like the beginnings of 'The X Factor' where you get all the crazy people and everything, but for me it's almost like taking the mickey out of people with mental illnesses.
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