A Quote by Nina Nesbitt

I was thrust into the spotlight and didn't really know what I was doing. The opportunity was amazing but I wasn't ready for any of it. — © Nina Nesbitt
I was thrust into the spotlight and didn't really know what I was doing. The opportunity was amazing but I wasn't ready for any of it.
It's frustrating sometimes: as an athlete, you're thrust into the spotlight, and you know, I think this team has always done a really amazing job of understanding that we have this incredible platform; let's do something good with it.
What we're doing is not just about becoming a model. It's bigger than that. It's shining a spotlight on folks who know who they are. They know what they want to do. And in terms of modeling, they're already working. They know what they're doing! They're fantastic!
I don't care whether I'm in the spotlight, not in the spotlight. That's not gonna stop me from doing anything.
The iPhone was such a phenomenon that even the humble journalists chosen for an early look were thrust into a spotlight.
It's really fun to have the spotlight and feel ready for it. Not in a conceited way. But just like, 'Man, I think I'm going to give you what you need.'
Kerouac was the cowboy that inspired the whole Beat Generation, and highlighted and put the spotlight on all of these minds that didn't really know what they were doing at the time, but accomplished something much bigger than what they ever foresaw.
I'm a really smiley person, so I've just learned when I'm doing my own makeup, I have to make sure it's smile ready and not too heavy. As amazing as the Victoria Beckham pout is for photos, I just can't do it!
We're all given a window of opportunity, I think all artists are, of any genre. A window when you're truly relevant, the spotlight's on you and people are watching what you do.
I enjoy doing drama, and I enjoy doing comedy equally. They're both amazing to me, and it's such an honor to be recognized for both genres, and to have the opportunity to work on shows of such great caliber in both genres. So, you know, it's easy to do both.
The opportunity to be able to tell stories to a massive audience is really incredible and this job couldn't be more satisfying. So, any drawbacks I think are worth it if you really enjoy the work. I hope to be doing this until I die.
To be honest, 'Ready Steady Cook' was a great opportunity, but I did compromise myself. I was stood there quizzing chefs on what they were doing when I knew exactly what they were doing and why.
I think that happens to a lot of people who find themselves thrust into the spotlight and becoming famous before they recognize what's happening to them. Life becomes a little distorted for them.
I don't think I'm prepared for life in the spotlight. I don't even think I'm really prepared now, but I still don't really feel like I'm in the spotlight a lot. I'm not a household name. I'm not followed around by paparazzi. I still have a very normal life. I'd love as many people to know and like my music as possible, but there's something quite lovely about being able to still go and watch your boys play football.
It was amazing that during rehearsals, without any of the costume on, the character was there complete. It just happened. Half the time, I didn't know I was doing it.
It's more frustrating. My expectation probably wasn't that I'd play [during the playoffs], but I was just trying to make sure that if there was any chance that it was possible to come back that I was ready and that I'd done everything I could to be ready. It's frustrating, disappointing. But can't really control any of that.
I've never really aspired to the spotlight; I just wanted to do music, which is kind of weird because music comes with that spotlight.
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