A Quote by Nina Simone

Funk, gospel, blues is all out of slavery times, out of depression, out of sorrow. — © Nina Simone
Funk, gospel, blues is all out of slavery times, out of depression, out of sorrow.
They always call depression the blues, but I would have been happy to waken to a periwinkle outlook. Depression to me is urine yellow, washed out, exhausted miles of weak piss.
My theory is that nine times out of ten, if there's a depression, more a social depression than anything, it brings out the best art in black people. The best example is, Reagan and Bush gave us the best years of hiphop.
We have the potential to help people out of poverty, out of disease, out of slavery and out of conflict. Too often we turn the other way because we think there's nothing we can do.
We have the potential to help people out of poverty, out of disease, out of slavery and out of conflict. Too often, we turn the other way because we think there's nothing we can do.
Think about it: we went into slavery pagans; we came out Christians. We went into slavery pieces of property; we came out American citizens. We went into slavery with chains clanking about our wrists; we came out with the American ballot in our hands.
The blues? Why, the blues are a part of me. They're like a chant. The blues are like spirituals, almost sacred. When we sing blues, we're singing out our hearts, we're singing out our feelings. Maybe we're hurt and just can't answer back, then we sing or maybe even hum the blues. When I sing, 'I walk the floor, wring my hands and cry -- Yes, I walk the floor, wring my hands and cry,'... what I'm doing is letting my soul out.
There is such a difference between coming out of sorrow thankful for relief, and coming out of sorrow full of sympathy with and trust in Him who has released us.
Blues is my life. It's a true feeling that comes from the heart, not something that just comes out of my mouth. Blues is what I love, and blues is what I always do.
Behind joy and laughter there may be a temperament, coarse, hard and callous. But behind sorrow there is always sorrow. Pain, unlike pleasure, wears no mask. ... For this reason there is no truth comparable to sorrow. There are times when sorrow seems to me to be the only truth. Other things may be illusions of the eye or the appetite, made to blind the one and cloy the other, but out of sorrow have the worlds been built, and at the birth of a child or a star there is pain.
We come from a generation where the music was very innovative, a lot of it coming out of blues and influenced by blues: the idea was that you would jam on things, and you'd try things out. You took a journey, and you took a left turn, and you experimented live right there in the moment.
I went back and researched the history of gospel; where it came from, slavery times, communicating with each other without their master knowing what they are saying, and that gospel artists view themselves differently.
I'm not denying that depression can be spiritually induced. Guilt from having wronged and hurt others can bring it on. A sense of having failed to live out the will of God can give rise to depression. Certainly the fear of death and what might follow can sap the joy out of life.
I still think the best metal bands have a blues feel. The first Black Sabbath album is kind of a bludgeoning of blues. Deep Purple also started out as a blues band.
When we sing the blues, we're singin' out our hearts, we're singing out our feelings. Maybe we're hurt and just can't answer back, then we sing or maybe even hum the blues.
There's a very thin line between rock and funk. Funk is like a dirtier blues, and so is rock. They're close cousins.
If you take Christ out of Christianity, Christianity is dead. If you remove grace out of the gospel, the gospel is gone. If the people do not like the doctrine of grace, give them all the more of it.
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