A Quote by Nina Simone

It doesn't matter to me what is going on today because my music encompasses every kind of mood that exists in human beings. That's my stick. — © Nina Simone
It doesn't matter to me what is going on today because my music encompasses every kind of mood that exists in human beings. That's my stick.
There is no limit to suffering human beings have been willing to inflict on others, no matter how innocent, no matter how young, and no matter how old. This fact must lead all reasonable human beings, that is, all human beings who take evidence seriously, to draw only one possible conclusion: Human nature is not basically good.
My idea of a perfect surrealist painting is one in which every detail is perfectly realistic, yet filled with a surrealistic, dreamlike mood. And the viewer himself can't understand why that mood exists, because there are no dripping watches or grotesque shapes as reference points. That is what I'm after: that mood which is apart from everyday life, the type of mood that one experiences at very special moments.
It doesn't matter where we're from, we all have to stick together and help each other out as performers and as human beings.
I always wrote the music first, and the music gave me the mood and the lyrics were pretty much put in to give you a map, where that mood came from and where it's going. But my first love was really the music itself, and I guess I've gone back to that.
Every day, think as you wake up, today I am fortunate to be alive, I have a precious human life, I am not going to waste it. I am going to use all my energies to develop myself, to expand my heart out to others; to achieve enlightenment for the benefit of all beings. I am going to have kind thoughts towards others, I am not going to get angry or think badly about others. I am going to benefit others as much as I can.
Let's be honest. There's not a business anywhere that is without problems. Business is complicated and imperfect. Every business everywhere is staffed with imperfect human beings and exists by providing a product or service to other imperfect human beings.
Sartre is one example of someone who does just this. Every text is, after all, a human document and whatever Kierkegaard thought about God was clearly a matter of human thought that can, in principle, be retrieved and interpreted by other human beings. A phenomenological approach to religion must, it seems to me, adopt the old adage: nothing human is alien to me.
I'll write for a while and then I'll find an appropriate song and in a weird way the music will keep me in the mood. I find music to define the mood of the movie, the rhythm the movie is going to play in.
A composer knows that music is written by human beings for human beings and that music is a continuation of life, not something separated from it.
I decided right away that whomever was going to advise me had to be fundamentally interested in music. This protected me from the skullduggery common to the music industry then and that still exists today. Of course, using this method meant that some things we didn't know and just had to learn how to do it together.
I have a constant kind of soundtrack going on at all times. I almost always have a song in my head. I'm very musically inclined. It feeds my soul. It definitely helps me get into a mood or get out of a mood. Or inspires a mood. Honestly, it is one of my therapists - cheaper and always available.
Science is not something that exists apart from human beings. It's one of the things we do as human beings, and we always have done science and technology in some form.
Biophilia, if it exists, and I believe it exists, is the innately emotional affiliation of human beings to other living organisms.
In a sense, every human construction, whether mental or material, is a component in a landscape of fear because it exists in constant chaos. Thus children's fairy tales as well as adult's legends, cosmological myths, and indeed philosophical systems are shelters built by the mind in which human beings can rest, at least temporarily, from the siege of inchoate experience and of doubt.
'Konnichiwa,' to me, is a classic because I don't make music for today where everyone is going to judge what I did in two years; they're gonna tell me today.
Sometimes I just listen to classical pieces of music to take me away from my work. That's what I kind of do to wash away the notes that I've been working on all day. As human beings we need to sleep so that's kind of one of my little tricks.
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