A Quote by Nina Simone

As I got older though I wanted a life of my own. The classical training was very demanding and thorough. It was a very sheltered existence. Even though I heard blues and gospel on the radio sometimes, it was always back to the piano and study and give recitals.
I got a classical piano training when I was little, and we also had music study lessons where we'd have to listen to a lot of classical music.
All my novels are very much directly related to my inner life, even though I'm inventing characters, even though it's fiction, even though it's make-believe, it nevertheless is coming out of the deepest recesses of myself.
I've always wanted a normal life, and this is what I got. Being an actress wasn't a plan at all, so what's happened to me is very strange. Life isn't very normal, even though I'm still very much a normal girl. I ride the subway, I ride the bus, and all of that. It's the people around me that have changed. I love when I go to a restaurant and I walk past, and everyone waves. That's always really funny. It's strange. It just goes to show that whatever plan you have for your life, you are wrong, a lot of times.
There is a terrific disadvantage in not having the abrasive quality of the press applied to you daily. Even though we never like it, and even though we wish they didn't write it, and even though we disapprove, there isn't any doubt that we could not do the job at all in a free society without a very, very active press.
I sometimes write songs on the piano, even though I don't actually play the piano. I always hire someone to play for me whenever I decide to sing a song I have written on the piano. My song 'Rosa' is one.
From the spiritual came the blues, gospel, and rhythm-and-blues. I heard all of that music growing up, and that has influenced how I approached classical music. I'm sure of it.
People often forget that even though training is very important, your diet also has to be very good. You have to get plenty of rest. That's when your body reacts to the training.
I was always drawn to the blues. Alberta Hunter at the Cookery was a life-changing experience. I only wanted to get enriched as a performer as I got older, to have an audience which got older, too, and would come to see me when I'm 80.
For some reason, that I can’t really explain, at the beginning of Radiolab, it always felt like life or death. Even though it was just a radio show. Even though no one was listening. And I am not quite sure why… but it may have to do with that radical uncertainty you feel when you are trying to work without a template.
A kiss for a blow is always best, though it's not very easy to give it sometimes.
My father taught me to study, study, study hard and he sent me to a very good Jewish school even though it was not near the house.
I wanted it in the way you sometimes want to jump into very cold water, even though you know it won't feel good. I wanted to go numb. To see what it felt like to be someone else.
Looking back, I can genuinely say that I am truly grateful that my parents sheltered us from the public eye. This may sound like an easy task, but it was probably the hardest thing they had to figure out as parents - how to give their kids a normal childhood even though they were always in the spotlight.
When I got a little bit older I wanted to play piano - that's all I wanted to do. I remember learning how to play a blues progression on the xylophone in music class and thinking "This is the greatest thing I've ever learned."
I think that if an audience is truly appreciative of a performance, they will show it. Sometimes though, there are little differences, and there are audiences that are very reserved even though they are enjoying the show.
Everybody uses mime and gesture in real life, though we don't realize it. It's very useful as a performance technique, though it can be boring to watch on its own.
This site uses cookies to ensure you get the best experience. More info...
Got it!