A Quote by Nina Simone
There's no excuse for the young people not knowing who the heroes and heroines are or were.
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The heroines for our established heroes are getting younger and younger. So the heroines, who started their careers with these established heroes, are quickly promoted to senior roles.
Yes, there are plenty of heroes and heroines everywhere you look. They are not famous people. They are generally obscure and modest people doing useful work, keeping their families together and taking an active part in the health of their communities, opposing what is evil (in one way or another) and defending what is good. Heroes do not want power over others.
Romantic heroes and heroines are a bit different from the sort of people we run into every day.
Woe to the people that fails to honor its heroes! It will cease producing them, cease knowing them. Heroes spring from the essence of their people. A people without heroes is a people without leaders, for only a heroic leader is a true leader able to withstand the challenge of difficult times.
When people, particularly young people and especially young men, can't imagine themselves as heroes in narratives that they construct for themselves, they look to be heroes in some other way. So young men in America of, let's say, Muslim background, only a tiny, tiny minority - so small as to be almost zero - are likely to ever commit terrorist acts.
I have had unattractive heroes - broken noses, scars, crooked teeth. You want to give them something that is human. My heroines struggle with being too short or fat or old. Some are older than the heroes. You try to cover all spectrums.
In the original 'Fable,' Albion was kind of run by heroes and heroes were the thing, and there weren't any lords or kings, there were just heroes, and greater and greater heroes.
When young people see movies like 'Gandhi 'or 'JFK,' there is an element of romanticization of these powerful people, and young people often feel a huge distance between their own lives and the lives of these social-change heroes. But the Panthers were flawed-up people from the streets, so it's easier to identify with them.
Heroes and heroines don't commit adultery.
The purpose of art is to reflect new emerging values and to define the new heroes and heroines so that people can absorb them into their perceptions.
I have lots of heroes and heroines, mostly unsung and including my husband.
Historically, in my generation, all of my heroes and heroines have had issues and problems. We all do.
Thirty years ago, this promise, this allure of democracy, drove hundreds of thousands of people in East Germany onto the streets. What courage they showed! It was these brave people, these peaceful heroes and heroines, who brought the Wall tumbling down.
My heroes are all dead. I've lots of heroes. My mum is a hero. She had to put up with me and my dad. She is one of my heroes. Some of my friends are heroes. There are so many. But heroes usually let you down, don't they? There is people I admire, people I respect.
I loved cinema from a very young age. I was also obsessed with Hitchcock and actresses like Kim Novak in Vertigo. They all played heroines and were strong, powerful women, yet they were very feminine.
At the heart of every successful romance novel lies the evolution of its characters. Through love, heroes and heroines grow not only into a perfect match, but into stronger, better, more admirable people.
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