A Quote by Nina Simone

The protest years were over, not just for me but for a whole generation, and in music, just like in politics, many of the greatest talents were dead or in exile, and their place was filled by third-rate imitators.
The early entrants into the world of A.R., as with its cousin virtual reality, were disappointing: the phones were too weak, the networks were too slow, and the applications were too nerdy. But now the technological pieces are in place, and a whole generation - much of which is on Snapchat - has come to consider the camera almost a third arm.
My mother died yesterday, yesterday many years ago. You know, what amazed me the most the next day after her leaving was the fact that the buildings were still in place, the streets were still full of cars running, full of people who were walking, seemingly ignoring that my whole world has just disappeared." (rough translation)
In the earliest years of the AIDS crisis, there were many gay men who were unable to come out about the fact that their lovers were ill, A, and then dead, B. They were unable to get access to the hospital to see their lover, unable to call their parents and say, 'I have just lost the love of my life.'
I've had a chance to meet some of my civil rights heroes and, more recently, members of the young generation around [Barack] Obama, people in their teens and twenties who were determined to make history and who were too idealistic to think that what they were trying to do might be impossible. They proved that visionary pragmatism can win over the majority. That comes from a particular place in your heart that generation Y is offering America. They just can't afford to be naive now, in terms of the ferocity of the opposition.
All through first and second and third hour, Eleanor rubbed her palm. Nothing happened. How could it be possible that there were that many never ending all in one place? And were they always there, or did they just flip on wherever they felt like it? Because, if they were always there, how did she manage to turn doorknobs without fainting? Maybe this was why so many people said it felt better to drive a stick shift.
I went to so many record labels - name any one - and they all turned me down. For some reason I just got the thumbs down for years and years. It sounds like I'm making that up, but it's true. I'm too serious about music and my creations to take just any kind of deal. There were a couple of companies that wanted to put me with a producer, and I said, "Well, I just produced my last album," and I wasn't about to go backwards.
Paste just might be my favorite music magazine. They have shed light on many incredible, under-appreciated folks over the years, helping me find new tunes to accompany me through life. We were honored to give a song in return.
And indeed when we are no longer in love with women whom we meet after many years, is there not the abyss of death between them and ourselves, just as much as if they were no longer of this world, since the fact that we are no longer in love makes the people that they were or the person that we were then as good as dead?
The hardest bits of my book to read were the easiest bits to write because they were the most immediate. Probably because I had never stopped thinking about them on some level. Those bits I was just channelling and those were the most exciting writing days. The bits I found harder were the bits that happen in between, you know, the rest of living. There were whole years, whole houses, that I just got rid of.
'Psych' was so many different things, and they evolved in so many different ways over the years, and towards the end there, we were barely solving mysteries anymore. We were just paying homage to our favorite movies, television shows, and bringing through as many '80s icons as we possibly could.
When I was in grade five or six, I just remember quite a lot of people were always talking about me like I was some kind of math genius. And there were just so many moments when I realized, like, okay, why can't I just be like some normal person and go have a 75% average like everyone else.
For a thousand years after the Dead Sea Scrolls were written, the Jewish holy scriptures - the five parts of the Torah and 19 other holy books - were copied and passed down in the various Jewish communities from generation to generation.
The 1980s were such a shock for me. I was really young, obviously, and The Slits were just mutilated. We were totally sabotaged to such a point that we were put out in exile. So that was the best way for me to spend the '80s: in the jungle, naked. Maybe there are more options now, and there's more girl groups. The only thing good that came out of the '80s was breakdancing.
I am just a pawn. I was just here. They are after a bigger thing, they would love to take us back to where we were many years ago. Back to where black people were looking down, not looking white folks in the face, not being able to compete for a job out there and not be a whole person.
People are very adamant about maintaining a certain sound or a certain era, like, "There were three years of rap that were great, so let's just keep doing that." The genre itself is just stuck in place. It's been treading water for a while.
When I was a youngster, I wrote all this music - it just came out of me - and I think record executives were like, 'Oh, wow, he's a genius, let's give him a million dollars!' But the minute I started producing the records, they'd be like, 'Oh, my God, you're terrible! You're all over the place! We can't market this!'
This site uses cookies to ensure you get the best experience. More info...
Got it!