A Quote by Nina Simone
Sometimes I sound like gravel, and sometimes I sound like coffee and cream.
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Sometimes I like them artificial and sometimes I like them real. And the reason is because sometimes I like a real close sound. And I like a very specific snare sound and I can't get that in the big room.
It depends on the material. Sometimes I sound like him, sometimes not. There are certain tunes we do that are so familiar to the audience that to perform them without making them sound like Frank Sinatra would be wrong.
Sometimes filming can be grueling when you're shooting the same scene for a week, or you're sitting around for 7 hours a day. They sound like very first-world champagne problems. I don't mean to sound like life is so hard, but filming sometimes is tougher than other times.
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
I have a lot of my mother in me, but I was just born with the same parts as my father. I don't sound like him. I mean, I can do an impression of him right now, and I do not sound like him. I sound like me. My sense of rhythm I learned from my mother. My melodies, I think sometimes, I get from my mother.
Sometimes pianists try to sound like singers: me personally, I try to sound like a Bösendorfer.
You see people you identify with, and you take pieces of people you like and shape who you are. Like, I sound just like my dad. But that's literally my vocal chords. I can't sound like anything else... I sound like him, but I act like myself.
It's either you finna create your own wave, you finna sound like me or you finna sound like G Herbo, you finna sound like Chance The Rapper, you finna sound like Juice Wrld. You ain't gonna get too far 'cause you sound like somebody. So, create your own lane and do your own style.
I have a high range. Sometimes I sound like Stevie Winwood. Some people say I sound like Peter Gabriel. Some of the songs I write are funky. Others are slow. Some are ponderous, and some are there to shock. I must say some are pretty damn good, too.
There's a marvelous sense of mastery that comes with writing a sentence that sounds exactly as you want it to. It's like trying to write a song, making tiny tweaks, reading it out loud, shifting things to make it sound a certain way... Sometimes it feels like digging out of a hole, but sometimes it feels like flying. When it's working and the rhythm's there, it does feel like magic to me.
Prince didn't want to sound like Michael Jackson. Neither of them wanted to sound like Luther Vandross. They didn't want to sound like David Bowie. They were all different, but brilliant.
Part of the success of This American Life, I think, is due to the fact that none of us sound like we should be on the radio. We don't sound professional; we sound like people you would know.
I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops.
At my school, they have an ice cream special sometimes, and they have this ice cream sandwich, except the sandwich part is like an Oreo and the inside like cookies n' cream ice cream. I love that.
I like to walk around my neighborhood, late in the afternoon. I sometimes wind up at the wonderful, old Shell station that's been changed into a coffee shop. Right where Johnny used to change my oil, I have a latte and take out my little book bag. It doesn't sound very austere.
"You ever have that happen where you meet someone and just - clash? We were like a gravel and cream sandwhich." "That is the weirdest thing you have ever said. I suppose you were the cream?" "Of course I was the cream. Sha."
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