A Quote by Ninette de Valois
Also, if you have an accident, you can't start to dance again at the top, you're too weak; you start with the easy things - the way you did them when you were young, and come up up up, the way you did then.
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If a character is going to end up one way, you start them a certain way. If they're gonna end up the polar opposite of that, you might start them differently to have dramatic integrity to their journey.
In the general sense, there's a journey to be had. You either start at the top or the bottom for a journey to happen. Our movie has to start at the top and work it's way down. Or start at the bottom and work it's way up.
[Buckminster Fuller] was quite willing to talk. He'd talk at the drop of a hat.I learned to talk in front of people by listening to the way he did things. Because he would give lessons in how to lecture. He would say, "Never take a note, just stand up and start babbling. And then eventually you're going to be able to make some coherent statements, and so it's like you're vamping. And then people will gradually start to listen to you when this spot of logic shows up in this torrent of verbiage.
College was really good for me. It's where I did my growing up, learning how to live on my own and to be myself. That really helped. I've eased my way into everything since then, so it doesn't feel too crazy. It's just about being the same person, whether good things come my way or bad things come my way, and to enjoy the opportunities I have.
I had a choice between working on Wall Street or doing consulting or working at a start-up, and I got a job at a start-up. I was one of the first employees there, and I did everything for them, and it was so much fun.
Not to get too deep, but I was brought up by these women who if you wanted to label them, maybe they were feminists, but you know what? They never asked for that or wanted it and they never got up on a soapbox and spoke about it, they just did it. They did their work, they did their jobs, they were who they were.
I think of being an actor as kind of a young man's gig. It's emasculating, in a way, people messing with you and putting make-up on you and telling you when to wake up and when to go to sleep, holding your hand to cross the street. I can do it up to a certain point, and then I start to feel like a puppet.
It's interesting because the way J.J. cuts - we're very close with our editors as well, so it's kind of the first cut and then he went back and started tightening things up, etc, then loosing things when it was too tight. Then you start watching it and you start figuring out performance - not performance, character-wise I should say, who you're really able to follow, whose journey is harder to follow, and you make all that work.
I would sit at the organ and just start making up things by myself - I was maybe 7 years old, which was too young to even know how to notate music. So I never wrote anything down, but when I'd make things up, I'd memorize them.
Life is too short to live that way. Learn to travel light. Every morning when you first get up, forgive the people that did you wrong the day before. Forgive your spouse for what they said. At the start of the day, let go of the disappointments, the set backs from yesterday. Start every morning fresh and new. God did not create you to carry around all that baggage. Let it go and move forward in the life of blessing He has in store for you!
Some players like to practise right up to the start of play. But for me, whatever warming up I did was only going to be followed by cooling down again.
You don't get anything easy when you come from a big band and you go and start another one. You learn real fast that, 'Wow! I went from the top of the mountain to all the way back to the bottom, and I've gotta start over.'
I love playing Jim. I love working with this cast and the opportunity to come back and work with them again was just way too appealing for me. Also, I think this is a great way to wrap up the franchise.
When I announced I had cancer on stage, it was my brain leaping to that insane moment of, "There's no way I could start a show saying, 'Hi, I have cancer!'" And also for me to have these scars, and then think, "Oh my gosh, what if I did stand-up and not even acknowledge that my shirt was off, or that I have scars.
When you are lonely, writing can keep you company. It is also a form of self-compensation, a way of making up for things—as opposed to making things up—that did not quite happen.
If the way they make the show makes it fresh, then it's worthwhile. I think all of these forms have to be blown up every now and then and start again.
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