A Quote by Ninja

There's, like, a little move back in the 'Halo' days, whenever you were getting chased, if you went around a corner and the guy followed you, and you jumped over his head and, like, backsmacked him. It was called like 'the ninja.'
Well, there's one guy, when he runs the ball his head's really, really still - doesn't move whatsoever but then when it's a pass he's always, like how he's looking is like his head is almost going back and forth and back and forth because he needs to know who to block.
As I followed him along the sharp black stones, I could hear Link's voice in my head. "Bad move, man. He's gonna kill you, stuff you, and add you to his collection of idiots who followed him back to his creepy cave
I have a whole 'Halo' corner in my house. One time, when I went to Bungie, they gave me this awesome 'Halo: Reach' backpack. Usually, when you get stuff like that, it either ends up in the garage or going to charity. But I walk around with that 'Halo: Reach' backpack all the time, and I drink out of my 'Halo: Reach' bottle every day.
John Cusack is standing over there.” I followed his incredulous gaze to where a man very like Mr. Cusack did indeed stand, smoking a cigarette as he leaned against a building. I sighed. “That’s not John Cusack. That’s Jerome.” “Seriously?” “Yup. I told you he looked like John Cusack.” “Keyword: looked. That guy doesn’t look like him. That guy is him.
In 2010, Strikeforce came to Houston, and DC was something like 5-0 or 6-0, and I'd seen him at the expo. I seen him walking around and I seen he had a pink cast on his hand, and I was like, this guy is way too fat... because he looked shorter and fatter. Because back then I was slim, I was like 235. So, I was like, man, I could take this guy.
Of course, like all the informal inhabitants of the University the roaches were a little unusual, but there was something particularly unpleasant about the sound of billions of very small feet hitting the stones in perfect time. Rincewind stepped gingerly over the marching column. The Librarian jumped it. The Luggage, of course, followed them with a noise like someone tapdancing over a bag of crisps.
If I were to fight Khabib, guaran-damn-tee you I would throw him from his feet to his back and beat him like in sambo like a five-point move in wrestling. That's my background.
That's the only way you can stop a guy like Cam Newton. Hit him. He's unstoppable, so whenever he does try to run like a running back, you got to punish him.
When somebody is angry with us, we draw a halo around his or her head, in our minds. Does the person stop being angry then? Well, we don't know! We know, though, that when we draw a halo around a person, suddenly the person starts to look like an angel to us.
When you see the holy halo around the holy heads on holy paintings - the halo is a bright light so you can't see the face. The face comes in darkness because it would be too beautiful to see. If there were such a thing as a holy person, a god, with a halo around his head, you wouldn't be able to see his face because the beauty would be terrifying.
The sun's nearly level with the horizon, right behind his head, making this weird halo effect around his face—as if! I'm surprised he doesn't smell like brimstone. He probably has a red pitchfork and hides horns under his hair.
I love these dudes, but I don't know what they're doing with all that facial hair these days. There's a lot of peach fuzz going on. They called me up to go to a Kanye West concert, and I was like 'hold on I'll call Kanye.' So I called him and they got into the show, and I called Kanye later and said, 'Yo did you see my dudes from Panic! at the show?' and he was like 'Nah they mst not have been dressed like they were from the 1700's'. But I back them. They have their own unique style, which is cool.
When I first started working on movies as a production assistant, we were shooting 65, 75, 85 days. I mean, granted some of those things were "Godzilla," "Deep Impact," and those kinds of things, but these days it's like 30-35 days or 40-45 days and you just feel like you're humping trying to get everything done. It's like "Move on, move on, move on!" That's not the way to get the best performances or the most interesting shots. You have to constantly balance schedule and quality of work. For me, that's the biggest thing.
For 25 or 30 years I never had an assignment. These were all stories I wanted to do myself. So they were always about somebody I like, 'cause if I didn't like him, I just didn't do the story. And to have somebody else paying the bills for this tourism, to every corner of every stage, over and over again? Why, who wouldn't want a job like that?
His lessons were chock-full of analogies for a variety of musical situations. Those little things were my favorites. 'No . . . that's too much vibrato. It's like putting bright red lipstick on a beautiful woman.' I always thought it was funny that when you broke a musical rule-like accenting a weak beat-he would turn his head away from you sharply, almost as though he were in pain. It's like you just slapped him in the face by being unmusical.
You don't say, like the Bush crowd, 'I got this guy over here and I don't like him and I'm gonna get him, whether you back me or not.'
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