A Quote by Nipsey Hussle

I feel that puttin' in the hours and years in the studio, honing my craft, definitely played a part, me consciously networking and presenting myself as an artist that's commercially sellable led to me meeting the right people, which in turn led to them givin' me positive referrals to other people, which in turn led to me signin' a deal.
I am confident in saying that Oberlin did more for me than vice versa. I took a fantastic class in religion, which led me to archaeology, which got me to the Middle East, which led me to international relations, which launched me on my career.
I can't see how You're leading me unless you've led me here, where I'm lost enough to let myself be led.
Leonard Bernstein was probably the most significant formative influence on me - he was such an encompassing musician. I spent my teenage years absorbing him, and my other interests stemmed off of that. Bernstein led me to Sondheim and to Gershwin, and Sondheim led me to listening to Joni Mitchell.
Stand-up led to me doing solo shows, which led to me being offered my first broadcasting job, being a VJ.
A friend of mine that I was in a band with started me on Kafka, which in turn led to Camus and Sartre.
I've definitely become more commercially successful. I think everything has changed over the past two years. People seem to take me seriously now as a songwriter for other artists and as an artist, which is funny to me because I always thought I was good. I guess that's the main change, which is pretty interesting.
Whatever I have done so far has led me to 'Kaabil.' It is a big opportunity for me to establish myself more commercially. It is a huge platform.
I think I'm led by spirit. I think I'm led by a sense of what is right and what feels good to me - what I accept, what is joyful, what is positive. I see my mission, in a way, as carrying that forward - not so much by preaching, but by embodiment.
I play-acted and started performing, which just logically led to doing it in school, which led to studying it in college, which led to auditioning to the showcase in New York. And then I had an agent, and I was an actress.
Amnesty International adopted me as a prisoner of conscience, and that led to my - it touched me in a way that really led to me opening up my heart, I've called it the re-humanisation process.
You can describe [Portrait of the Artist as a Shadow of His Former Self] as a manifesto of sorts. I saw it as a pivotal turn, a work that really led me down the avenues that brought me to where I am. That picture was the vehicle that helped me clarify a lot of things and I began to understand that I wanted to do.
The universe, in a big bang mode, is still expanding, which means it's cooling down, and evolution seems to be going against this; we're almost battling it. That led me on to a more creative, philosophical way of thinking, which is what led into influencing some of the songs, which is, maybe this is what our struggle is.
I was trained at classical piano as a youngster back in PA. To rebel, I bought a drum set and played in some rock & roll bands. In college I picked up a guitar and became obsessed with practicing which led to playing guitar in indie rock bands in the mid 90's. Which led me to Los Angeles.
I didn't follow big box office ideas. That eventually led me to witches. It's led me to find interesting roles.
My travels led me to where I am today. Sometimes these steps have felt painful, difficult, but led me to greater happiness and opportunites.
My travels led me to where I am today. Sometimes these steps have felt painful, difficult, but led me to greater happiness and opportunities.
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