A Quote by Nipsey Hussle

I seen a lot of artists be hot for a minute, and then that's it, and somebody else come in. — © Nipsey Hussle
I seen a lot of artists be hot for a minute, and then that's it, and somebody else come in.
I think that a lot of artists have succeeded in making what I might call "curator's art." Everybody's being accepted, and I always want to say, "Really? That's what you've come for? To make art that looks a lot like somebody else's art?" If I am thinking of somebody else's art in front of your art, that's a problem.
With the artists that I named - Michael Jackson, Janet Jackson, Madonna, every time they come out with a new album, something's slightly different. In the case of Madonna, she'll come with one joint that'll be left, and then come totally right, but it's always hot. She's just got style. So, at the end, I want my name to be up there with those artists; for people to say, he's one of those iconic figures you can't put in a box.
I always figure, you come to a party, you gotta know somebody. And somebody leads to another person and leads to somebody else, somebody else. That's one of things that I really enjoy doing.
When the storms of life come, if they come to me personally, to my family or to the world, I want to be strong enough to stand and be a strength to somebody else, be shelter for somebody else.
I've seen a lot of artists fall out with their labels and be irrelevant when they come back.
I've always liked playing with somebody else and collaborating, just to get out of my own head all the time. Everybody does, but artists especially, we torture ourselves. So it's good for me to immerse myself in somebody else's work.
I think that these are different times, and different things are available to artists, and certain things have become passé. You've already seen the outcome of a lot of things that seemed to have a lot of potential. We've already heard that, and I can't tell you if it made a difference or not. But we already know that artists can do that, and they shouldn't feel threatened by doing it. They're probably not going to change the world. They're going to change a few people's perspectives and maybe make somebody's day at times, if they can.
I miss L.A. because of the weather. It can change so much in Calgary. You can get a storm one minute, and then the sun will come out and it will be hot.
There was a lot of light and a lot of rumbling and vibration, especially the first minute or minute-and-a-half. And then after about two minutes, when the solid rocket boosters separated, the ride got a lot smoother.
My kids! They run so hot and cold. One minute, I am in complete control and feeling like Supermom, then the next minute, my two-year-old is having a tantrum in line at the supermarket and is inconsolable, and I feel so helpless and I want to crawl in a hole.
The artists always reflect the times, so there's a lot to think about, a lot of unknowns, a lot of things that are describable. This is the closest I've seen to the kind of ambience that made the '60s happen. It's not about the artist having a responsibility to do anything. They have to be artists and express themselves and everything will work out fine.
I find that people can pass me on the street who've just seen my picture in the paper and they wouldn't recognize me. If they'd seen me on television, the heads turn. They say, "Wait a minute. I don't know who that is, but he's somebody.
Theres a lot of blowhards in the political process, you know, a lot of hot-air artists, people who have got something fancy to say.
I am a slave to fashion. I love to get into what's hot and current when I dress myself or somebody else. Usually, it's someone else because I'm constantly working on finding the best looks for actors.
I don't mind anybody dropping out of anything, but it's the imposition on somebody else I don't like. The moment you start dropping out and then begging off somebody else to help you, then it's no good. It doesn't matter what you are as long as you work.
A lot of artists have been persuaded into doing whatever they can do to gain attention. The media, of course, will position and promote the worst of them to the front page. The sidewalk to crime becomes the marketing campaign. These artists have seen it work and sell millions and millions of records for other artists.
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