A Quote by Nipsey Hussle

In 2013, the week before I dropped 'Crenshaw,' 'Complex' wrote an article that said that Nipsey Hussle is one of the top 25 underperforming artists. I was so offended that I responded with my own opinion about these journalists - their point of view is not validated in our culture.
I would say that the Nipsey Hussle 'Crenshaw' release was an example of All Money In creating an artificial scarcity campaign for the physical side of 'Crenshaw.'
My career as Nipsey Hussle is based on my life as Ermias Asghedom.
There's an assault on human sexuality, as Judge Scalia said, they've taken sides in the culture war and on top of that if we have a democracy, the democratic processes should be that we can elect representatives who will share our point of view and vote those things into law.
Now, [hip-hop/grime artists] Stormzy, Skepta, or the Section Boyz have to be validated by Drake, Rihanna or Beyoncé. They're rolled into this one urban culture bubble; it's not really to do with, "I'm specifically f - ked off about my country and what's going on in my town." We're very much only showing success to artists who impress American artists, and I'm one of them.
I worked with Ty Dolla Sign, YG, Nipsey Hussle, Metro Boomin - I build relationships, and I try to stay afloat with everyone who is hot or cool, period.
I think, from our point of view, my opinion is that La Liga, the tempo and physicality is completely different to the Premier League. Technically, some of the teams there are absolutely tip top.
All humans are storytellers with their own unique point of view. When we understand this, we no longer feel the need to impose our story on others or to defend what we believe. Instead we see all of us as artists with the right to create our own art.
It gives liberty and breadth to thought, to learn to judge our own epoch from the point of view of universal history, history from the point of view of geological periods, geology from the point of view of astronomy.
You wouldn't tolerate an underperforming surgeon in an operating theatre, or a underperforming midwife at your child's birth. Why is it that we tolerate underperforming teachers in the classroom?
Before 2013, if you said the NSA was making records of everybody's phone calls and the [Government Communications Headquarters] was monitoring lawyers and journalists, people raised eyebrows and called you a conspiracy theorist. Those days are over.
I had a studio session with Nipsey Hussle. We didn't record, but we just vibed and we talked. It was just good conversation. We played music for each other that we had previously worked on. It was a good vibe.
At synods, I usually wait about a week before I speak. First I listen. I feel the temperature. I listen to what has been said, what has not been said, and what I think needs to be said at that point.
I think that all journalists, specifically print journalists, have a responsibility to educate the public. When you handle a culture's intellectual property, like journalists do, you have a responsibility not to tear it down, but to raise it up. The depiction of rap and of hip-hop culture in the media, I think, is one that needs more of a responsible approach from journalists.
I would rather have a career where I improve year after year than go to the top and then decline. There are a lot of strikers that reached the top before 25, but after 25, they went down.
I have a point of view on the issues, but it's a complex point of view that really can't be summed up in a sentence or two. I'm not being intentionally vague or mushy, it's just that - in my mind - the real answer is complicated.
Kathy Dewar, my high-school English teacher, introduced me to journalism. From the moment I wrote my first article for the student paper, I convinced myself that having my name in print - writing in English, interviewing Americans - validated my presence here.
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