A Quote by Nipsey Hussle

I knew 'Crenshaw' had elevated me and distinguished me. — © Nipsey Hussle
I knew 'Crenshaw' had elevated me and distinguished me.
I would say that the Nipsey Hussle 'Crenshaw' release was an example of All Money In creating an artificial scarcity campaign for the physical side of 'Crenshaw.'
He [God] watched over me before I knew him, and before I learned sense or even distinguished between good and evil, and he protected me, and consoled me as a father would his son.
But Jude,' she would say, 'you knew me. All those days and years, Jude, you knew me. My ways and my hands and how my stomach folded and how we tried to get Mickey to nurse and how about that time when the landlord said...but you said...and I cried, Jude. You knew me and had listened to the things I said in the night, and heard me in the bathroom and laughed at my raggedy girdle and I laughed too because I knew you too, Jude. So how could you leave me when you knew me?
I knew Tim Pastoor. I knew Sherry Ford. I knew many of the individuals who would follow me around. I knew who they were. I knew they had access to my email.
A generous and elevated mind is distinguished by nothing more certainly than an eminent degree of curiosity.
It was always a plan that we were going to have a retail side with what were doing musically, like an Apple store or Nike Town. I wanted something where you can come get everything - 'Marathon' or 'All Money' or 'Crenshaw' - and make it like an experience. Especially with what Crenshaw and Slauson meant to my story.
But for now, I just sat there on the bed and listened to my song. The one that had been written for me by a man who knew me not at all, now sung by the one who knew me best.
Earwolf had approached me a long time ago, even before I had started the 'Pod F. Tompkast.' I knew that I wanted to do a podcast, and I knew everyone there and that it was something for me to do, but I didn't know quite what I wanted to do yet.
And I felt more like me than I ever had, as if the years I'd lived so far had formed layers of skin and muscle over myself that others saw as me when the real one had been underneath all along, and I knew writing- even writing badly- had peeled away those layers, and I knew then that if I wanted to stay awake and alive, if I wanted to stay me, I would have to keep writing.
My mom, we had a relationship. I knew she loved me. I always knew she loved me. But she didn't, openly or overtly, express, you know, affection and love. But I - I knew. I knew she did.
When I left the Senate in 1979, there were several publishers who had approached me about writing an autobiography, and I knew that politicians write books for many reasons, but at that time, I just thought I wasn't ready and my story wasn't over, and I knew I had a new life ahead of me.
I knew Danny DeVito and he knew me, so he wanted me to try Death to Smoochy. I loved that stuff and had a great time doing it.
I knew he would never leave me, never let me down-because the man had never abandoned anything in his long life. If I hadn’t taken the gold rope of our bond, I knew Adam would have sat on me and hog-tied me with it. I liked that. A lot.
She had given birth to me and nursed me and brought me up. She had known me before I knew myself and now she had no say in the matter. Life started out one thing and then suddenly turned a corner and became something else.
It was my Mum who got me into singing properly - she knew I had to do something with my voice because she knew I was talented. She was the one who pushed me into joining a choir all those years ago, when I was about 12. I remember she told me to start with the choir and just see where it took me.
I decided at age 9, but I was reinforced at age 13 when a teacher told me I had talent. I can't say she really motivated me because I already knew. I knew I had talent. I went to the Jewish community theater and got in plays there. Then I went for the movies.'
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