A Quote by Nipsey Hussle

As I got older, my pops tried to keep me involved with the culture by telling me the stories of the conflict between Ethiopia and Eritrea, how he came to America, and about our family back home, because all that side of my family - my aunties, grandparents - is in Africa.
My mom is American, so I was raised in her household in my formative years. But as I got older, my pops tried to keep me involved with the culture by telling me the stories of the conflict between Ethiopia and Eritrea, how he came to America, and about our family back home, because all that side of my family, my aunties, grandparents, is in Africa.
I was raised in a dominantly Filipino family. I didn't know I was 'mixed' until I got older and started asking questions about my grandparents, the origins of our middle and last names. We were kind of textbook Pinoys. A lot of the Filipino stereotypes that were joked about by me and my friends rang very true with my family.
The vast majority of unfaithful people are experiencing a conflict between their values and their behavior, and that is the mess of infidelity. It's not an either-or. The idea that you would ask, "How can you say you love your husband and you want to stay married, and you also are having an affair?" Because we are not the same woman, or the same man. Because sexual revolutions don't take place at home. Because for most of us, freedom wasn't something that we experienced in our family, but usually outside of our family.
It occurred to me that my family had achieved the American Dream, from being poor to starting a business to giving me and my brother an amazing education. It's one reason I joined the Air Force, because I believed I can never give back to America what America has given to my family and me.
A lot of my family weren't present when I was young, so I was getting a lot of stories told to me about them. Certain members of family had reputations because they were involved in crime and stuff like that. Then, when I was out on the streets, I'd be hearing more stories about them. So I think my whole upbringing was just heavily story-oriented.
My family is big, complicated, and beautiful - and keeps me smiling and whole. It's so important to have family, whether it's biological family, good friends, foster families, or a group of aunties who are raising you. The idea of feeling isolated is scary to me - to walk through the world alone would be heartbreaking.
How precious is the family as the privileged place for transmitting the faith! Speaking about family life, I would like to say one thing: today, as Brazil and the Church around the world celebrate this feast of Saints Joachim and Anne, Grandparents Day is also being celebrated. How important grandparents are for family life, for passing on the human and religious heritage which is so essential for each and every society! How important it is to have intergenerational exchanges and dialogues, especially within the context of the family.
At 13, Stade Rennais came to sign me, and the whole family moved to Rennes. I wanted my family to follow me and be by my side.
I knew the day I left Newport that if I came back, I'd failed. The fear of losing the game, of having to go home and tell my family, 'I tried but it didn't work out,' has haunted me. It is still there, and it is a strength and a weakness.
There's no quit in our family. Our dad was the chief proponent of that. [On the set] we were constantly telling each other, Stay true to the story, we know that we love each other, keep communication open. We knew how unique this was-you're doing a movie that really could be put out there all over the world, and you're telling this personal story about your family.
The first time I punched in my name and saw how many sites there were, I thought, that's scary. I got too involved where I got worried and panicked and tried to stop it. But you know what, if I just let it go and not worry about it, then it will be fine. Because it's all about how it makes me feel and I was letting it get to me.
My family reached the United States before the Holocaust. Both of my parents emigrated from Russia as young children. My grandparents were fleeing religious persecution and came to America seeking a better life for their family.
I'm not sure I would make a direct connection between having press attention as a young person and being interested in the media as an older person. I came to it more organically, coming from a family of Irish Catholic storytellers. Storytelling is a pastime and important part of my family's history and culture.
My father gave me an old Olympia portable when I was in fourth grade. Our ancestors came from Ireland. Our family stories of immigration helped me understand more about my characters in 'The Lemon Orchard.'
My real purpose in telling middle-school students stories was to practice telling stories. And I practiced on the greatest model of storytelling we've got, which is "The Iliad" and "The Odyssey." I told those stories many, many times. And the way I would justify it to the head teacher if he came in or to any parents who complained was, look, I'm telling these great stories because they're part of our cultural heritage. I did believe that.
They look at me and say how come you're winning? You came back from the dead three years ago, and you're already killing it. I mean I came back from the dead. Thanks to my family and thanks to Kevin Zinger and my brother Evidence and Rocko, especially my blood family and the guys in Swollen Members. I wouldn't even be here today if it wasn't for those people.
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