When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
Twitter is a good medium to lean how to write jokes. It pushes you to write a better joke in that, on Twitter, the first joke about something has already happened. You need to think of the second joke and the third joke.
Natalie Lyalin is writing some of the best poems in the world. There is an evil in her gorgeous poem-hearts. She must have sold her heart to the devil to write like this—so beautiful, so funny and so strange. Her images stack and stack down the page without spilling, each line such a bombshell you'll start reading backward to the first line. These poems are like babies—they will pop out of trees.
Writing comedy is an exposing thing because you're putting yourself on the line with every joke you write, and although you can't second-guess an audience, if you want to be successful, you have to write stuff people like.
In the end, perhaps we should simply imagine a joke; a long joke that's continually retold in an accent too thick and strange to ever be completely understood. Life is that joke my friends. The soul is the punch line.
As far as outlining is concerned, I don't outline humor. I might right down a word or two to remind myself of a punch line I thought of, but the actual structure of a piece I really don't. I don't think it would really help me because for me the process is joke, joke, joke, joke.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
I think I'm a good joke writer. I'm also very scared that the last joke I wrote is the last joke I'll ever write.
A joke is either funny or it's not funny. If I hear a funny joke, you know what I do? I laugh, that's what I do. I don't start a focus group to see who got hurt by the joke.
Don't tear up the page and start over again when you write a bad line-try to write your way out of it. Make mistakes and plunge on. Writing is a means of discovery, always.
I start with an image, then I go from the image toward exploring the situation. Then I write a scene, and from the scene I find the character, from the character I find the larger plot. It's like deductive reasoning - I start with the smaller stuff and work backward.
If you are walking backward, away from something you think is a mistake, you may be right in supposing it is a mistake, but for you to be walking backward is never right. You know what happens to people who walk backward.... We are meant to walk forward, not backward, and reaction is always a matter of walking backward.
On Twitter, when someone would die, I would write a joke. Or if there's a tragedy, I would write a joke and tweet it. That was my thing, and then at a certain point, people started demanding it.
When I start writing, the first line might come from reality, but the second and the third one, I have to write it. So this is the genesis of my creation. If I want to know what happens, if I want to find out the secret, I have to write it.
It always seems to someone outside the business that it is very difficult to write for a comedy show because it must be done quickly. Actually, it is much easier to write this humor than to do a joke or a show from scratch, because the audience knows the plot. Just mention what is going on and then deliver the punch line.
I don't necessarily start with the beginning of the book. I just start with the part of the story that's most vivid in my imagination and work forward and backward from there.