A Quote by Nirmal Purja

When you say you are from Nepal, people always ask you if you've seen Everest. And I had to say no. I felt like I had to go and do this, just for my sanity. — © Nirmal Purja
When you say you are from Nepal, people always ask you if you've seen Everest. And I had to say no. I felt like I had to go and do this, just for my sanity.
I would say a magical thing happened on when the big 40th birthday came. I felt like a light kind of just went off, and maybe that's because I felt like at 40 I had the right to say and be who I wanted to be, say what I wanted to say, and accept what I didn't want to accept.
Everest has a special place in all of our imaginations. For centuries, Everest was a little bit like the moon. It was the place where everyone wanted to go. Empires wanted to be able to say that they were the first to put a climber on top of Everest. So when a tragedy happens up on that mountain, I think it has a global resonance. Everybody's heard of Everest. Everybody knows what Everest is and what it means, and the significance.
I always say I never felt 'latched' to a gender. I just kind of always felt like myself, and I never felt like I had to do certain things or be a certain way to fit into a certain mold.
I've always been surprised when a straight guy likes me. It's just been like my whole life has been kinda like that. I definitely felt like when I started writing music, it wasn't writing for a gay audience at all. I was just writing for me. But what I say whenever I get this question is my best friends have always been gay, I've always been, as a person, just accepted by the gay community, and celebrated and had the best nights of my life at gay clubs. Always had a fashion sense usually with drag and I don't know. That's just kind of my people. That's just kind of where I fit in.
He was one of those people who made you feel like they either didn't know or didn't care that you were in the room and if they ever did acknowledge your existence it was bizarrely score one to you, and twenty years later they'd tell you they'd always had a crush on you but never had the courage to say anything and you'd tell them, What? I didn't even think you liked me? and they'd say, Are you crazy? I just never knew what to say!
A tourist will just walk up to a Natchezian on the street and ask, 'Where does Greg Iles live?' And they'll say, 'Oh, right over there; just go knock on the door.' I've had people just walk into my office, walk into my house like it's a museum just open to the public.
When people ask me the best player I played with, I always say Dennis Bergkamp. He just had so much class.
I was in Nepal and I had watched Oprah Winfrey's show. I had no idea, as a kid in Nepal, who she was, but I remember watching an episode of hers about living your dreams.
I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.
I didn't learn about depression or anxiety at school. So when I had to go to my parents to say 'I need help, I need to go to therapy,' I felt like this weird, messed up kid. And I wasn't, but I felt that way.
Throughout my career, I had a lot of mentors, and I just adopted them. What I found is that, especially if you're young, when you go up to people and say, 'Would you mind being my mentor?,' their eyes widen. They literally step back. What they're thinking about is the commitment and time involved if they say yes. And time is something they don't have. So I would not ask them to be my mentor, but I would just start treating them like it. And that worked very well for me.
I grew up between Detroit and Ghana, and I had to make friends in an instant. It sharpened my wit, and also, just for my own sanity's sake, I felt like I wanted to entertain myself. So I'm going through all these experiences, and I ask myself, 'Is this crazy? Is it? Wait, what's so funny about this?'
A man with a beard was always a little suspect anyway. You couldn't say you wore a beard because you liked a beard. People didn't like you for telling the truth. You had to say you had a scar so you couldn't shave.
That's kind of my job in the writer's room. I'm always the guy going, like, 'People wouldn't say that there. They wouldn't say that.' Like, I hate when I watch sitcoms and something crazy happens, and people just kind of go, 'Huh?' and then they just go on.
Jean-Luc didn't like me to say any bad words in real life, and I would always do it on purpose, just for fun. And he would go crazy! Then he had Brigitte Bardot do just that in 'Contempt.' And in that film she also has this line - 'I want red velvet curtains, or nothing at all in the apartment' - which was something I would always say.
A lot of people will say different stuff like, 'You can't do it.' They'll say no before I even say anything. You just have to believe in yourself, and there's a reason they might say no, because they probably haven't seen it before.
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