A Quote by Nish Kumar

I'm in the middle of an existential crisis in how I approach comedy about these big issues. I sometimes find, when I get drawn on the subject of race, it's too close to home for me and I can't articulate what I'm trying to get across.
Sometimes when you're trying to do a record too close to home, you can get really distracted.
When you're going for a big studio comedy, the joke tally better be pretty high, and you better have some big comedy set pieces. That was one of the issues when I was trying to get 'Swingers' made for the first time, which is that there weren't any broad comedy set pieces.
I think there's just too much comedy. Sometimes I get requests from people: 'How do I get into comedy?' And I always say that what we need is more people in health care. And less people in comedy.
In the South they don't mind how close I get, so long as I don't get too big. In the North they don't mind how big I get, so long as I don't get too close.
I'm trying to write about serious issues, about Iceland's journey into modernity, about the soul of Iceland - on how people react when they get too much money too quickly and how it affects our culture.
The endings to me are the key moment in 'Weekend' and '45 Years.' I know how I want my gut to feel at the ending. Even if I can't articulate in words what that feeling is, I'm trying to find ways to get there.
Part of what we're trying to do is lay out what really happened. For example, I've been trying to get across that the intelligence leadership did not just keep the country in the dark. They actively misled the country on key issues. When you have someone who heads the NSA saying we don't hold data at all on US citizens, that's one of the most misleading statements I believe that's ever been made about surveillance policy. And I think that now we're starting to get that message across.
A lot of times when you do things where you're killing people, the character is always having an existential crisis about it. It's fun to be no-holds-barred and have no big crisis of conscious.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
I find that I'm just drawn to anything that's going to challenge me as an actress. So any time I get a chance to do a little comedy, that's also a nice change for me. Most of the time people think of me as a dramatic actress and singer. And there's a challenge there because comedy is hard. What do they say? "Dying is easy; comedy is hard."
When you are absorbed in a biographical subject, you get so close you don't realise the potential effect of what you say. You are trying to get at the truth.
One of the reasons the rich get richer, the poor get poorer and the middle class struggles in debt is because the subject of money is taught at home, not at school.
The best way to get away from a crisis and yet hold on the reins without performance is to find a godfather who would save you at crisis and fool the entire world..This is how it has worked for me.
To find one's way anywhere one has to find one's door, just like Alice, you see. You take too much of one thing and you get too big, then you take too much of another and you get too small. You've got to find your own doorway into things.
When I was studying comedy in Chicago, it wasn't long after 9/11. There were a lot Middle Eastern comedians who were doing bits about hailing cabs and being terrorists. So the first two years, I didn't do any of that because I wanted to separate myself from those guys. But race is a big part of who I am, and it should be a big part of my comedy.
I'm trying to eliminate every vestige of my own personality, style, approach and get into somebody else's skin. Sometimes I feel I've accomplished it. But when I don't, I'm nobody at all, having left myself at home
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