A Quote by Nita Strauss

To put my name on a track as a solo artist was a big deal to me. There was no band to act as a buffer. — © Nita Strauss
To put my name on a track as a solo artist was a big deal to me. There was no band to act as a buffer.
When you're a solo artist and you have a band on tour you have to pay the band some salary. You don't realise the expenses, the way they add up SO quickly. But thank god I'm not a money person. So it doesn't really bug me at all, I mean it's more comical to me.
I was going to record a solo album when I was 15 on a four-track. I started working on it, but then Fall Out Boy happened. The band was awesome and took me in a totally different direction. I don't regret it at all, but the band delayed the record I had been planning.
When I was about 15 I had already been recording on my four track in my room, but I couldn't find anyone in my town to be in a band with me. I was in a band very briefly with a bunch of guys and they kicked me out because they wanted to play grindcore. I think they didn't think I could tread hard enough or something. So I started playing solo.
For me as a solo artist, I never want to be a nostalgia act.
Back in 1985, I was working on my third solo album when the band came to me and asked me to produce the next Fleetwood Mac project. At that point, I put aside my solo work - which was half finished - and committed myself for the next seventeen months to producing 'Tango in the Night.'
I did exactly what I wanted to do. It was always my intention to put a band together and be a band and not be about the solo pop guy. That was never me. All of the musicians that made me do what I wanted to do were bands. I didn't see it any other way.
I put my name on that Occupy Musicians list because someone wrote to me and said, "Would you do this?" I said, "Yeah sure, I support this." What artist wouldn't support that? What's the big deal? But then people wrote to me, "Wow! You're on that list!" And I'm like, "Who isn't on that list?" That would be more shocking.
I discovered that it was a lonely world being a solo artist. Then I started working with another solo artist, Rod Stewart, and he used to tell me how lonely he was!
When I did my solo album, I put on a song that I'd planned for Toto that never made an album constructed from a great drum track with Jeff and a bass track with Mike and the guys loved it.
I never envisioned myself as a solo artist; I was always part of a band.
One day when I have a band I will have a band name, but since it's just me I feel it should just be my name. For me it doesn't make much sense since the music is from me and about me. I haven't ever been in a band.
I think it's a mistake to downgrade and say surveillance is no big deal. It is a huge deal that we are collecting millions of Americans phone calls and that someone can go to a keyboard and put your name in and search it without a warrant.
It's tough going out as the opening act of a band especially when you're solo.
I can be a little messy and wild and carefree with my creativity as a solo artist. In a group, there's a certain structure, and everyone has a part to play, and being a solo artist, I can do as I please.
EVERY SINGLE DANCER, SINGER and BAND MEMBER is a BRILLIANT SOLO ARTIST
It's a big deal when you play in a rock band and you conquer Japan. You know, it's a big deal.
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