A Quote by Nita Strauss

I always was a fan of Alice Cooper's, but I got a new appreciation for his music playing in his band. It's really amazing to see how his music transcends age. — © Nita Strauss
I always was a fan of Alice Cooper's, but I got a new appreciation for his music playing in his band. It's really amazing to see how his music transcends age.
I grew up in a home filled with music and had an early appreciation of jazz since my dad was a jazz musician. Beginning at around age three I started singing with his band and jazz music has continued to be one of my three passions along with acting and writing. I like to say jazz music is my musical equivalent of comfort food. It's always where I go back to when I want to feel grounded.
The music alone wasn't enough. It was great, but when an artist had an amazing look - like the MC5, or the Stooges, or Alice Cooper - you really got sucked in. The wardrobe was so important. At a show, you were engrossed in the music, but you were also engrossed in everything from the haircuts to what they were wearing.
My dad was all about music. He was a musician, leading a band when I was born. His band was active all through the 40s. He'd started it in the late 20s and 30s. According to the scrapbook, his band was doing quite well around the Boston area. During the Depression they were on radio. It was a jazz-oriented band. He was a trumpet player, and he wrote and arranged for the band. He taught me how to play the piano and read music, and taught me what he knew of standard tunes and so forth. It was a fantastic way to come up in music.
Ilaiyaraaja is my most favourite music director. His music was my lullaby, his music was my food, his music was my childhood, his music was my first love, his music was my failure, his music was my first kiss, my first love failure, my success... he is in my blood.
Music's totally eclectic now. I saw a DJ the other day, he was on Virgin radio over here, and he said he played "Going Underground", the Jam song, on his breakfast show. Then he got a text from some young kid asking if was a new band. I think a lot of people these days, younger people as well, are aware of all sorts of music, really. If you're into the Libertines you probably also have to be aware of the Beatles, or the Kinks. I think there's a better, possibly greater appreciation for all music, of all eras, I think.
Floating Points plays a lot of music that I don't know, and I like geeking out and trying to find out what the tracks are. His knowledge of house music is pretty deep, and his selection is just amazing. And I think it's a pleasure to listen to his music because it's so perfectly produced.
I'm a huge fan of Tupac. I'm from Chicago and his music helped me kind of get through that phase of my childhood, my teenage years. He was one of the biggest artists of all time and his music got me through just day to day life. He was a key to our generation and culture and he still is, even after his passing.
Bill Monroe spoke of bringing 'ancient tones' into his music with echoes of British and Irish fiddle and bagpipe music, while also delving deeply into American blues, gospel, folk hymnody, and hill country dance music. To that gumbo, he added the invigorating rhythms and harmonies of hot jazz. It was a new kind of American music, named in honor of his band The Blue Grass Boys to be known, simply, as bluegrass.
Chance the Rapper: if you listen to his narrative and the subject matter he covers in his music, you can see that he's strong, courageous and shows vulnerability. He asks some very poignant questions in his music and is still very melodic. The harmony and the melody of the music allows you to also come in closer.
Every philharmonic orchestra merely interprets the composer. My goal was to create new music by that composer. In doing so, I wanted to find the painter's creative center and become familiar with it, so that I could see through his eyes how his paintings came about and, of course, see the new picture I was painting through his eyes - before I even painted it.
My love is new music, I tend to go and see a lot of bands, while [co-producer] Mark Cooper spends his time reading the press. It's often the new acts that strike a chord, because they aren't seen on other shows.
Northeastern folk music influenced me from a very young age. Sachin Dev Burman is one of the inspirational musicians in Indian film music. The way he fused folk music with his signature style is amazing. So, I am aware of the beauty of northeast folk music.
I didn't grow up listening to The Smiths, but now I am a fan. I love his music and listened to so much of it for the film. It's not a regular biopic; they picked a part of his life that people don't really know about. You learn what informs his lyrics.
My dad is huge on music, so he always made tapes from his friends. That's how I got into music.
I was just learning to be by myself. He seemed to really see me, see through the bullshit...He was so handsome, and he could dance. I thought, 'He won't be interested in me; I'm not a contender. He was so cool, so funny - I was such a fan of his and had always fancied his speed and his intelligence. I thought, 'I'm not beautiful enough or his type.'
One of the things that I really enjoyed playing with Ender was how he's constantly struggling between his brother and his sister. It's like he's got two sides to him. And I've always wanted to play a darker character, and in this film and in the novel, Ender has his moments where he isn't a glorified hero.
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