A Quote by Nita Strauss
So, to see the response to the Kickstarter, and to see people actually really want to see, hear what I'm doing, hear what comes out of my own mind, is really an incredible experience.
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I actually spoke to one of the heads of a studio, and he said I confuse middle America. Basically, when they see a black person, they see athlete, they see rapper, or they see criminal or something like that. And then when they hear a British accent, they hear posh, so they hear lawyer or doctor.
At first, my love was just to be in the studio and make the music and enjoy it when I hear it played back, but then the biggest thing for me was to see the response of the people. When you go out and see the energy in the crowd, it's incredible.
I think hip-hop is actually one of the most challenging things that's happened in music in a long time. The people who are in charge of what people see or hear are afraid. What you hear on top 40 or what you see on BET or MTV is not a fair representation of what is really going on...
It was really great to also see the response that people were having to 'Treme' 'cause you're in a vacuum when you're on a TV show. You see the response online, you read about it and all of that, but actually to be live and have that many thousands of fans come out, it's really wonderful.
I think when you hear good music or the experience you have to the music which makes you remember it, it's so priceless. Really, it's the same thing for us when we make it, to actually see the idea come together to be something that's special and then to see people kinda degrade it, it is a little discouraging.
When I see Kickstarter, I don't see a company. Instead, I see a social movement. I see people doing things for people.
At Pinetop I just studied music, and there was no pressure to look any certain way, and so being able to sing and play guitar was enough. But when I came out to L.A., there's a whole image that you put out there and people really feed off of that because of social media platforms. And sometimes someone will see a picture of me before they hear one of my songs. It's really important to have it all figured out so that you can portray what you want people to see.
I'd like to be that chameleon. That's really ultimately what I want to hear from people eventually: 'I really love when I see him in stuff, but I never know he's gonna be here.' I want to be that actor that surprises you when you see him in a project, and you go, 'Yes! I love that guy. He's in this? Awesome.'
Beauty is undefinable in language. It's something that you see when you see it, or you feel when you feel it, or you hear when you hear it. It usually encompasses all five of the senses. It can't exist without it being a somehow sensorial experience. But, I don't think it's quantifiable. Nothing is really quantifiable. Nothing is certain in love and friendship. We all try to understand these things.
Just look at what is right in front of you. People don't do that. They see what they expect to see, what they want to see, what conventional wisdom tells them to see. They only hear the music and not the lyrics of human events.
We learn...
10% of what we read
20% of what we hear
30% of what we see
50% of what we both hear and see
70% of what is discussed
80% of what we experience personally
95% of what we teach to someone else
The most common response I hear when I tell people I teach meditation is, "I'm so stressed out. I could use some of that!" A response I also sometimes hear, which amuses me a lot is, "My partner should really meet you!"
But then you hear that he can't hear you, you see that he can't see you. You are not here--and you haven't even died yet. You see yourself through his eyes, as The Generic Woman, the skirted symbol on the ladies' room door.
If there's a God, I want to see Him. It's pointless to believe in something without proof, and Krishna consciousness and meditation are methods where you can actually obtain God perception. In that way you can see, hear and play with God. Perhaps this may sound weird, but God is really there next to you.
Really there's different scales of stories. Sometimes you want to tell one that 20, 30, 40, 50 million people will want to see and hear. Sometimes you do one that you know 150 will want to see on one night. As long as you're telling the right story for the right audience and they're getting something out of it it's essentially the same feeling to me.
It's easy to just see what you want to see in your own comfort bubble, but to really get out there and experience the suffering of animals is an awakening. I had to become proactive and take a stand.
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