A Quote by Nita Strauss
I might come across like kind of a show-off onstage and stuff, but I like collaborating with people.
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At times, I come across as crude or crass, that irritates you when I come across like a Neanderthal or a babbling idiot at times. But I like to be that person. I like to show you all that person because that's who you come to see.
I do try to keep my show very improvisational. I don't work off a set list; I like to keep it more in the moment. I like to have information about where I'm going, what might be happening in that particular region as well. I like for people to feel like the show is for them.
I think I'm great. I mean, I might as well come out and say it. Like most people, I have an ego and I'm in show business, so you have to have kind of a healthy, conflagrated ego to a degree. On the other hand, I'm consumed, like a lot of people, with self-doubt and loathing and guilt.
One of my favorite moments was when I stepped onstage for my first Victoria's Secret show in 2010, It felt like all that work finally paid off. I had long legs that I worked hard all year to keep, and it felt great being able to show them off.
Taking pictures and stuff, I'm kind of like, shy, but you couldn't tell onstage.
I like doing this stuff [stunts] though, it's kind of the whole reason that you want to do the movie. When you're reading it you're like, "Oh, I get to dive out a window? Cool! I get to jump off a building? Great!" So I love doing that stuff, it's like the stuff we used to do in high school to be stupid and fun.
My general advice for writers/comedians is, make stuff you like and are proud of. Put it in a place where people can see it, whether that's onstage or on the Internet or wherever. Just do the things that make you happy creatively, and then show them to people.
A lot of people relate my success now with The Voice, and it has nothing to do with that. I've definitely worked my ass off for a year afterwards trying to get that off of my forehead. If anything, it's actually harder to get labels to look at you when you come off a show like that, and it's harder for people to look at you like a real artist.
I would say that maybe directors who act as well are easier with actors. I'm not saying that all directors have this, but sometimes you'll come across a director who sort of looks at an actor a bit like a kind of untrained horse that's been let out of the stable, like they might buck him.
You can do stuff onstage that you can't do offstage. You can be angry as hell and enraged and get away with it onstage, but not off.
I like when people do cool stuff that might be a little off-the-wall to anybody else, but they found a way to make it work for that day. I wouldn't recommend that people wear it every day like that, but if you every once in a while just spice it up, I like that. I dare to be different.
I was singing in a mall, and I picked a girl to come up onstage with me. As I was grabbing her hand, I fell off the stage. It felt like I was in the air forever, flying like Superman.
I don't pull punches at all, and I write my material for adults. But if kids like it, they can come watch it. I'll never change anything about what I do for anyone. I kind of think that's why kids like me. If you're a teenager, and there's someone onstage talking to you like an adult, that's good.
Like everybody, I started out doing 'bringer' shows - the kind where if you show up with a certain number of people, you get to perform. Sometimes I would actually pay strangers off the street to come in and see my set.
Man, you can come see me six or seven times in a row and you'll never see the same show twice, because I don't like to be robotic onstage. I like to perform for that particular audience.
I don't like people who are hypocritical, who pretend to be nice, particularly in show business when they're nice on camera, and then off camera they're absolutely appalling to the makeup people, or the waitress in a restaurant, you know? I don't like - I can't bear those kind of people. So I like people who are, you know, up front in your face.
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