A Quote by Nita Strauss

I remember sobbing myself to sleep because I couldn't play an open G chord. — © Nita Strauss
I remember sobbing myself to sleep because I couldn't play an open G chord.
Actually, because I'm so small, when I strike an open A chord I get physically thrown to the left, and when I play an open G chord I go right. That's how hard I play, and that's how a lot of my stage act has come about. I just go where the guitar takes me.
Then I began to play. Variations on a G major chord, the most wonderful chord known to mankind, infinitely happy. I could live inside a G major chord, with Grace, if she was willing. Everything uncomplicated and good about me could be summed up by that chord.
I can't remember the first song I learned to play on bass, but the first song I learned to play on guitar was 'For Your Love' by the Yardbirds. That kind of was the beginning for me. I thought it was a great song and I loved the open chord progression at the beginning of that song.
I've played the guitar since I was 12, and just taught myself songs chord by chord.
I didn't know that you were supposed to tune the guitar to an open chord, and I learned to play slide with a normal tuning. I think it's a little more melodic that way and doesn't sound so bluesy. Of course, if I could play like David Lindley or Ry Cooder, I'd be a happy man!
Honestly, I think I was in kindergarten. I remember seeing a play and realizing that was what I wanted to do. I remember always wanting to retreat to my room or somewhere private to play pretend by myself.
I meditate all the time. You know, I don't sleep much - it's a known fact that sleep is required more for the brain than the body because the brain needs sleep to dream. But I dream all the time. I dream when I'm awake, when I create work, with my eyes open. So who needs sleep?
The sobbing of the weak today is the sobbing of the victims of neoliberal policies. They consist of billions of people all over the world.
I'll just sit at the piano a lot an play like through different chord exercises and kind of just throwing my hands down on the piano from one chord to the next to see what happens.
Once you've developed some technical facility on the guitar, the musical side (which entails theory, harmony, chord structure, ear training, sight-reading, composition and being able to hear chord progressions and licks) comes into play a lot more.
I grew up with a piano, and my aunt taught me chords. I played with bands in high school and I could do like, C chord, G chord, D chord; really simple, rhythm piano.
If anything, even though I can play in the sort of standard string-bending style, in the B.B. King mold and all of that, I've always had a great interest in the more primitive playing, the open chord playing, rhythm and figures.
When we do reggae, it's normally a one-chord or a two-chord, or whatever it is. With Sting, there'll be chord changes, key changes.
Being with friends felt like a burden. I remember just sobbing.
I learned to love myself, because I sleep with myself every night and I wake up with myself every morning, and if I don't like myself, there's no reason to even live the life.
The very funny thing about "Like A Rolling Stone" is it was a six minute song, there was no music to read from. And there I was playing this unfamiliar instrument. So I would come in on the upbeat of one. I would wait until the band played the chord, and then as quickly as I could come in play the chord.
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