A Quote by Nithiin

Because I was happy in my space, I was doing commercials, masala films, love stories... But somewhere as an actor I wanted to push myself to reach a large audience and play a different role.
The audience loves watching masala films, and I love to make what the audience likes. I also think it is easy to make a masala film.
I realized that many men are happy to play a supporting role to another man, but they are much less happy to play a supporting role to a woman. People are saying we need more females in our industry and we need more female-driven stories, but that takes the men of bankable star quality to come forward and play supporting roles in those films, because ultimately that's what the women have always done. We've always lent our name value to male-centric stories, and now we're going to have to ask the men to swallow their pride, because it seems that it's about pride.
Big films help your reach a wider audience, and doing independent films keeps your artistic side happy.
I love masala films, and as an audience, I like my dose of commercial cinema.
I don't want to push myself and am happy doing one to two films a year.
I just don't think I'm special because I'm an actor and I never would. Of course I take what I do seriously because I love doing it, and I love being in films and making films, but I don't take myself seriously.
The audience for 'Lootera' is far less than for my other kind of films. Just because I pulled it off doesn't mean I will change my tastes. I love to watch masala films, and I love to sing, dance and say those larger-than-life dialogues. But whenever I get a chance, and I really feel the connect, I will do a performance-oriented film.
I was doing well for myself and wanted to play different roles and not just be happy portraying glamorous characters.
I love doing roles and movies that are different from each other. That's kind of why I like to be an actor because I get to play different characters and pretend I'm different people going through different situations.
'Damadol' is a dig at commercial cinema where I play the role of the blunt-headed producer who loves masala flicks and feels he knows everything about films.
I make different choices in regards to the stories I want to be a part of. In my mind, it's a totally different medium. Commercials are little skits, and movies are stories; I became a little more picky in my choices for stories that I wanted to be involved in.
I've always wanted to play a role as a producer and a curator and to help make drag really have an epic scale and a large audience and a lot of interest.
I don't want to be typecast as a heroine who does a certain kind of cinema, which is why I experiment with the types of films that I do. But yes, I won't deny that romantic love stories or romantic comedies are what I enjoy doing the most, because as an audience those are the kind of films that I like watching.
I haven't wanted to portray a manager since Paul E. Dangerously was with the Samoan Swat Team in 1989. I've always wanted to do some different presentation in that role. I don't consider myself a manager - I'm an advocate, and I truly believe that that is the description for the role that I play.
When an actor plays a scene exactly the way a director orders, it isn't acting. It's following instructions. Anyone with the physical qualifications can do that. So the director's task is just that – to direct, to point the way. Then the actor takes over. And he must be allowed the space, the freedom to express himself in the role. Without that space, an actor is no more than an unthinking robot with a chest-full of push-buttons.
I don't know how to make award-winning films; I'm a director happy in making masala films.
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