A Quote by Nithya Menen

Working with a good artiste is always a pleasure. If you get a reaction from your co-star, then you get the space to perform well. — © Nithya Menen
Working with a good artiste is always a pleasure. If you get a reaction from your co-star, then you get the space to perform well.
Having a good actor as co-star is always a pleasure, as it gives you space to perform. It's nice to work with nice actors.
It is pleasure that lurks in the practice of every one of your virtues. Man performs actions because they are good for him, and when they are good for other people as well they are thought virtuous: if he finds pleasure in helping others he is benevolent; if he finds pleasure in working for society he is public-spirited; but it is for your private pleasure that you give twopence to a beggar as much as it is for my private pleasure that I drink another whiskey and soda. I, less of a humbug than you, neither applaud myself for my pleasure nor demand your admiration.
My priority when I get off the plane and get to a city is get situated at the hotel and then go on site and get a good practice in. Sometimes working out can help with getting over jet lag as well.
The aim of the laborer should be, not to get his living, to get "a good job," but to perform well a certain work; and, even in a pecuniary sense, it would be economy for a town to pay its laborers so well that they would not feel that they were working for low ends, as for a livelihood merely, but for scientific, or even moral ends. Do not hire a man who does your work for money, but him who does it for love of it.
The only important thing is your performance. If you perform well, then you get the respect of your team-mates.
They'd have to force me to take the All-Star Game. They take over the building, your season-ticket holders have to be in a lottery to see if they get tickets, and then they don't get a good ticket. Really, no good can come out of it, and all it can do is upset your fans.
I'm not good at many things. But I really like songwriting, and I get a good reaction from it. There's not much that I do that causes a good reaction, so it feels like if I want to have good things happen, then I should do the things I'm good at. I mean, in all seriousness, I left school at 15. I'm unqualified to do anything else.
John Abraham is a really good guy. We get along very well. It's a nice thing when you have a great tuning with your co-stars, as it makes the working experience all the better. Then you look forward to working with each other every day when you are shooting.
You get work however you get work. People keep working, in a freelance world, and more and more of today's world is freelance, because their work is good, and because they are easy to get along with, and because they deliver the work on time. And you don't even need all three. Two out of three is fine. People will tolerate how unpleasant you are if your work is good and you deliver it on time. They'll forgive the lateness of the work if it's good, and if they like you. And you don't have to be as good as the others if you're on time and it's always a pleasure to hear from you.
I'm really interested in the pleasure we get from stories and the pleasure we get from movies, and certainly the pleasure we get from virtual experiences. My complaint is against empathy as a moral guide. But as a source of pleasure, it can't be beat.
Awards are important for all directors because they improve your working conditions. You're only as good as your last film, so if you get prizes or large audiences, then you get more money for your next film.
There's good action stars. I'm a bad-guy action star. What disappoints me is when you all of a sudden you get a good action star and then he wants to play a comedy with kids, you know? That upsets me, and that's not being true to your fans.
You get nit-picked in the media. Stats are always up saying he doesn't drive it straight enough or hit enough greens or whatever it is. Then you have to perform, because if you don't perform, then you're off the Tour.
If you're a movie star, you get the girl, you lose the girl, and then you get her back. But if you're a character like me, you lose the girl, then you get another one, then you get another one, then you lose them all, then you lose your life.
When I start to paint, it is real agony. I get nervous. The day before, I am already working up to it. Then I get to the studio and, once the image starts to emerge and come together, pleasure kicks in. And then you can see things that no other person can see.
As you get older, the physical abilities decrease, which is particularly frustrating because your brain gets so good! So as you are becoming less technically or physically able, younger dancers are emerging who need the space to perform.
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