A Quote by Nithya Menen
I've been working in three-four languages. I'm happy to do it.
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For instance, if you come at four in the afternoon, I'll begin to be happy by three. The closer it gets to four, the happier I'll feel. By four I'll be excited and worried; I'll discover what it costs to be happy! But if you come at any od time, I'll never know when I should prepare my heart... There must be rites.
I am a stupendously fast reader and always have been. I can read in at least three languages fluently and two languages with a little bit more difficulty.
I work in Hebrew. Hebrew is deeply inspired by other languages. Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English. The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages. Every language has influences and is an influence.
I'm a New Yorker, and working in New York was divine for me. I loved working there and going to work there, which I've been able to do three or four times in my career, and I just love it. It's my favorite.
Initially, when I started working in Tollywood, there were only three or four releases in a year. But after 2010-11, the figure went up to three-four releases per month. It's impossible for one music director to work simultaneously in so many films.
I speak four languages and read a great deal, so I do as much working out on the brain as I do on the body.
I've been very lucky in my long life. On three continents, in diverse cultures, through happy moments, not-so-happy moments, and moments as marvelous as this one, I've had the privilege of working with the cinema's greatest masters.
And all the world is football-shaped
It's just for me to kick in space
And I can see, hear, smell, touch, taste
And I've got one, two, three, four, five
Senses working overtime
Trying to take this all in
I've got one, two, three, four, five
Senses working overtime
Trying to taste the difference 'tween a lemon and a lime
Pain and pleasure and the church bells softly chime.
If I was happy with three trophies, then suddenly I had to have four. If I was happy with four, then I had to have five.
It would have been better to come back at the same hour,” said the fox. “If, for example, you came at four o’clock in the afternoon, then at three o’clock I shall begin to be happy. I shall feel happier and happier as the hour advances. At four o’clock, I shall already be worrying and jumping about. I shall show you how happy I am! But if you come at just any time, I shall never know at what hour my heart is to be ready to greet you . . . One must observe the proper rites . . .
I have been working in seven languages.
Character actors just pile up the credits because you work on a movie for, like, a few days. It's not like I'm the lead in everything I do - far from it. I'm not spending three or four months on a picture; I'm spending three or four weeks. Sometimes three or four days.
Character actors just pile up the credits because you work on a movie for like a few days. It's not like I'm the lead in everything I do - far from it. I'm not spending three or four months on a picture; I'm spending three or four weeks. Sometimes three or four days.
For four years, Barack Obama has been running from the nation's problems. He hasn't been working to earn reelection. He's been working to earn a spot on the PGA tour.
The man who has learned that three plus one are four doesn't have to go through a proof of that assertion with coins, or dice, or chess pieces, or pencils. He knows it, and that's that. He cannot conceive a different sum. There are mathematicians who say that three plus one is a tautology for four, a different way of saying "four" ... If three plus one can be two, or fourteen, then reason is madness.
Bach was so mathematical and I liked this idea that you could have one instrument going, 'One, two, three, four', and then you have another instrument going, [double time] 'One, two, three four', and another instrument going, [doubled again] 'One, two, three, four, one, two, three, four', so you could add twos and fours and eighths, and that happens a lot in Bach.
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