A Quote by Nithya Menen
I try to choose characters that are very different; I think I have succeeded in that. A big role or a small one does not bother me at all. What matters is that I should have a rapport with the director.
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It's very hard to admit that the choice of 3D technology can play an important role for the director while he's thinking about the movie. But it does play a big role.
I think big-that's what my mother taught me. If you think small and accomplish it, what does it mean? Who cares? To me the sky's the limit, and I'm going to try and get there.
'Masaan' was a small role, but people connected with it. I loved playing a man who does not have many complexities in life. I was inspired by my father for this role. You find such characters in novel or in stories. You don't find such parts in movies where characters are either good, bad, or grey.
It was not easy to get even a small role in a film although my father was a very big name in the industry. Finally, I got a very small role as Simran's brother in 'Seema Simham,' starring Balakrishna.
The God who created, names, and numbers the stars in the heavens also numbers the hairs of my head..He pays attention to very big things and to very small ones. What matters to me matters to Him, and that changes my life.
Never jeopardize who you are for a role. Now, I'm not saying you should never change for a role, because the fun of being different characters is adapting different nuances and different parts of the character, but never jeopardize your moral compass or anything like that to have a role.
When I choose a role, I look for that spark that tells me it's going to work. Is the role fresh? What does it have for the actor in me? Those are the only things any actor should be concerned about, really.
The type of acting that I'm interested in, that I aspire to, is where I try and drag a lot of myself into whatever character it is. They can be very different types of characters, but at the heart of it, I always wanted to be a very, very believable and rooted in reality. One of the ways of doing that is to root it as much as you can in your own experiences and then tint those with different hues, different colors to give the different characters their way.
If I love the script and have a good rapport with the director, then first-time director can also be very special.
What's been nice is that I've been able to direct from a very idealistic place. I've never had to make my living as a director, which gave me a chance to choose material I feel passionate about. The directing allows me to not have to grab any acting role that comes along. I can pick and choose a little bit.
Frankly speaking, I hate comparisons. Two individuals are doing two different films, playing two different characters: how can you compare them? It is not fair to get into ratings. It really doesn't matter what I think about other actresses; what matters is what the directors think of them when they are casting them in a project, because I think it's the director who's behind a successful piece of cinema.
I got into acting for the chance to be many different people and many different characters. I love hiding in a role and doing the research. If there is an opportunity to change my body, I will change my body. I'll slip in and disguise myself in a role. That is a really big treat for me.
It was very important to me to choose a director like Gary [Ross], whose instincts come from character, who's a storyteller, and who puts characters first.
I think a director is hugely responsible for the fate of a film, so if it does well, he should be appreciated. As an actor, I can only perform well or choose to work with a good director in a good film.
You have all this education theory, and people try to make larger statements than maybe what their data would back up, because they've done these small experiments that are tied to a very particular case with a very particular implementation... theory definitely matters, but I think dogma matters less.
Sometimes people ask me this question in interviews and it is very difficult to answer. They say, 'Kouli, how does it feel when the fans make these racist howls at you? Does it bother you? What should be done?' I think that until you have lived it, you cannot really understand. It is such an ugly thing, and it is hard to talk about.
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