A Quote by Nitin Sawhney

Solitude gives you the ideas and the motivation to make you want to collaborate. — © Nitin Sawhney
Solitude gives you the ideas and the motivation to make you want to collaborate.
Scholars are deeply gratified when their ideas catch on. And they are even more gratified when their ideas make a difference - improving motivation, innovation, or productivity, for example. But popularity has a price: people sometimes distort ideas and, therefore, fail to reap their benefits.
If the only thing that you want to do is make money - if that's your whole motivation - I think you're lying to yourself. If the only motivation you have is to make money and make it, what's making it? Oh, you get a yacht or an island. Well, you're going to need someone to be on that island. You're going to need people, one way or another.
You may not enjoy loneliness, because loneliness is sad. But solitude is something else; solitude is what you look forward to when you want to be alone, when you want to be with yourself. So, solitude is something we all need from time to time.
Just looking when I was little at pictures of cars and houses that I wanted - it gives you a certain motivation, it gives you a goal.
The problem is when you get forced to use ideas that aren't good. When I can filter the ideas and use the best of them, I am happy to collaborate.
Motivation remains key to the marathon: the motivation to begin; the motivation to continue; the motivation never to quit.
If you get into entrepreneurshi p driven by profit, you are a lot more likely to fail. The entrepreneurs who succeed usually want to make a difference to people’s lives, not just their own bank balances. The desire to change things for the better is the motivation for taking risks and pursuing seemingly impossible business ideas.
I want to collaborate with me 'cause I've done so many collaborations that after a certain point unless you're really working with a certain caliber of an artist, there's no point [to collaborate].
I always try to develop a good relationship with the director on any film and make sure that we want the same things and we're talking about the same ideas, and that gives me great protection.
The motivation is important for me to act it, but I don't necessarily want the audience to know my motivation.
Solitude gives birth to the original in us, to beauty unfamiliar and perilous - to poetry. But also, it gives birth to the opposite: to the perverse, the illicit, the absurd.
I want to allow others to reveal and celebrate aspects of themselves that are usually hidden. My camera is a witness. It holds a light up for my subjects to help them feel their own essence, and gives them the courage to collaborate in the recording of these revelations.
What is the impulse that drove to direct? To me, it seems so immense. Just having a rock 'n' roll band, or to go from the solitude of writing and to having to collaborate, is almost schizophrenic.
Feminists who want to censor what they regard as harmful pornography have essentially the same motivation as other would-be censors: They want to use the power of the state to accomplish what they have been unable to achieve in the marketplace of ideas and images. The impulse to censor places no faith in the possibilities of democratic persuasion.
The whole idea of motivation is a trap. Forget motivation. Just do it. Exercise, lose weight, test your blood sugar, or whatever. Do it without motivation. And then, guess what? After you start doing the thing, that's when the motivation comes and makes it easy for you to keep on doing it.
I daydream a lot - that's how I get my ideas. If I'm sitting in a café, I'm not on my phone because I want to hear my mind. I think that those periods of small solitude that we are really losing are so important.
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