A Quote by NLE Choppa

It's why I started music, to have my own stuff happening - something that I can say is mine, something that I have ownership of. — © NLE Choppa
It's why I started music, to have my own stuff happening - something that I can say is mine, something that I have ownership of.
Very commonly I get queries. Somebody saw something of mine on YouTube and of course if there is a talk on YouTube, there aren't any footnotes - and they want to know why did you say this. Well if they bothered to look up something in print, they would've seen why I said that. If they ask for evidence, I just say well take a look and mention something they can read and that usually ends the conversation.
My family called me the 'why kid' growing up. I always needed to know why something is happening, why I had to do something, why whatever.
I always knew I was going to do something with music, but with my whole family being in the business, acting was something that was just mine. But when I was 20 or 21, I started writing songs and felt the itch to make a record.
On '24,' you don't have time to emote and deal with stuff, because stuff just keeps happening. Every other minute, there's something crazy that's happening that's threatening this country.
People call what we do "stretch music." This is our style, and one of the newer, in vogue ways of playing creative, improvised music. It really grew out of me trying to address something that I saw in my everyday life in my neighborhood - trying to develop that and refine that and excavate exactly what that was in a way that, when I communicated it, it was palpable and easily read. That started really early. Why it started was from something that I was really angry about.
I mean, I knew that one day I'd do something writing-oriented as soon as I started writing. But when I started singing, I was determined to make those two work together, so I just worked at it until I started making stuff that sounded like music.
I always thought it was strange when these artists like Kurt Cobain or whoever would get really famous and say, 'I don't understand why this is happening to me.' There is a mathematical formula to why you got famous. It isn't some magical thing that just started happening.
the process of a book's coming to life is not fully complete until your imagination meets mine on the page. The words evoke pictures and something altogether new is created, something different from the limits of my own skills and imagination. Something that is a marriage between your heart, mind, and body - and mine.
I've started my own record label - Jeepney Music - and I want to put out my own stuff and also stuff by other Filipino artists.
When we started Nowhere, maybe the fashion industry recognized something was happening, but they just thought, Oh, those kids . . . whatever. They didn't know what was actually going on with us. Now we are those people in a sense - the current establishment. So I hope there's something happening that is new and independent that we know nothing about.
I see something happening in the world, and I want to share it. It's why, during 9/11, I wrote every few minutes what I saw happening. It's why I write about meeting Steve Wozniak or Bill Gates or Larry Page.
You have something to say. Something of your very own. Try to say it. Don't be ashamed of any real thought or feeling you have. Don't undervalue it. Don't let the fear of others prevent you from saying it... You have something to say, something that no one else in the world has said in just your way of saying it.
I love music - really a lot. That's why I do it. But mine just never makes it, to me. There's always something wrong with it, something I want to change. But I like that, because at least it keeps me looking, trying to find ways I can improve, which obviously are a lot.
Luckily, I had incredible parents who, when they saw a problem, didn't say, "Why doesn't somebody do something?" They would say, "Why don't we do something?".
When I started to make music at the end of the '90s, I saw myself highly influenced by hip-hop and techno, but I wanted to apply these ideas to something from the local sound; something that had identity, that would say who we were and where we came from.
Folk music is music that everyday people can play, and it inspired a lot of people to make their own music. That trailed into making your own pop music, and that's why garage bands started springing up everywhere.
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