A Quote by NLE Choppa
If you're always questioning things, you realize the way you're living is just not as beneficial as it could be.
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Ultimately, though, it's living people that frighten me the most. It's always seemed to me that nothing could be scarier than a person, because as dreadful places can be, they're still just places; and no matter how awful ghosts might seem, they're just dead people. I always thought that the most terrifying things anyone could ever think up were the things living people came up with.
When Levin thought what he was and what he was living for, he could find no answer to the questions and was reduced to despair; but when he left off questioning himself about it, it seemed as though he knew both what he was and what he was living for, acting and living resolutely and without hesitation.
A lot of things we're supposed to do are hard to do, but we can do them. They're always beneficial. Really, some things that are hard are beneficial.
Ah, if I could realize, if I could forget myself and devote my meditations to the freeing, the awakening and the blessedness of all living creatures everywhere I'd realize what there is, is ecstasy.
If one admits that the influence of the outside world is essentially beneficial, the lack of such influence during sleep would tend to diminish the value of our dream activity so as to render it inferior to the mental activity that takes place when we are awake, when we are exposed to these beneficial influences of surrounding reality. But how can one say that the influence of reality is exclusively beneficial. Could it not also be damaging, and could its absence not give access to qualities superior to those that we have when awake?
With the Jews, the questions are always open; we're always questioning. I love that questioning tradition.
Prosperity is not just having things. It is the consciousness that attracts the things. Prosperity is a way of living and thinking, and not just having money or things. Poverty is a way of living and thinking, and not just a lack of money or things.
I'm looking for all the things that are beneficial in the human genome. Everything that I do is based on a very simple principle: things that are beneficial will spread through populations very quickly.
It is difficult to realize the true Way just through sword-fencing. Know the smallest things and the biggest things, the shallowest things and the deepest things.
I have always just made things. I don't see what I make as being defined by a medium or aesthetic. It probably comes more from a fundamental restlessness, an attempt to create tools for questioning or understanding, and I have always been interested in using a wide spectrum of mediums to do this.
It's amazing the things you realize
when you lose someone:
you get mad at yourself for not
saying the things you could've a million times,
you take for granted the days
spent doing nothing when
you could have been with them.
Anyone can be taken,
at any time in our lives,
but we always wait until they're gone to say
the things we never had the courage to before.
If you're just addressing your own emotions and challenging yourself to find some sort of harmonious sense of being in life and questioning authority and questioning what's given and questioning what's expected of you, you're already on the cusp of finding something in yourself, and maybe waking something in somebody else.
I really like people to be able to interpret stuff in their own way, I like the ambiguity of the medium. We're just four guys in a band trying to articulate things in a questioning way. Who are we to tell people what to think?
For me photography is just a way to collect material to realize the ideas in my mind. I get inspired by things around me in my daily life and all kinds of things I see. Every new project is a new challenge and my goal is to realize them as realistic as possible.
You know how some trees have those ear mushrooms that just grow off, and you could live on one of those mushrooms and not realize that there was stacks and stacks of others? That's how I describe music scenes in New York. That's one of the trippiest things about living here - just how many parallel universes there are that you can be completely unaware of.
Image and music always works together for me. I think they're equally important and I've always done things in a way that people remember them by, but I don't set out to just shock people...because that's very easy, a lot of people could do that, I just like to do things the way that makes me happy really. And sometimes that's too much for certain people, but, you know, I try to push the envelope to make the boundaries wider as far as what you can and can't do in music.
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