A Quote by NLE Choppa
I use Twitter mostly, and then whenever I just want to preview some new music that I record, I take to Snapchat or TikTok.
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When it comes time to where the new album gets closer, I start singing the song a cappella; I'll preview it on my Snapchat and get creative with it - just kind of bringing everybody into more than just listening to the record on album.
I mainly use Instagram and Twitter to be able to interact with fans and talk to them, and then Snapchat is the app I use to interact with my friends.
I try to share a lot of my life on Snapchat, Twitter, Instagram, everything. I really like interacting with fans on Twitter and answering their questions and just getting to know them because it's cool for them to have people who are connecting with my music reach out and show interest.
Twitter is the place where I try to be more funny. And then I use Instagram just as my diary. I pull some jokes on there, but I think people have a better sense of humor on Twitter.
I just got on Twitter because there was some MTV film blog that quoted me on something really innocuous that I supposedly said on Twitter before I was even on Twitter. So then I had to get on Twitter to say: 'This is me. I'm on Twitter. If there's somebody else saying that they're me on Twitter, they're not.'
I just record whenever I can, whenever I'm home, whenever I have access to something that can make music.
I mainly use Twitter, Instagram and Snapchat. Those are my three.
I certainly have gotten caught up in the music business at various times in my life, mostly because you want to get along with whatever record company you're dealing with. I don't want to be flaky. I don't want to be some temperamental, hard-to-work-with musician.
While to some TikTok may seem like a harmless app, TikTok presents a significant counter-intelligence threat.
The one constant in this ever changing music business is the heartfelt and “ear to the ground” Indie Record Stores that avid music fans and artists alike know they can count on to keep music thriving locally. I tour all over the world, and it's these Indie Record Stores that many times make or break a market. People will always want an “album” to hold, not just have downloaded, and Indies fill that need and then some.
I'm most active on Instagram, then Twitter, and then Facebook. I haven't opened up Snapchat for the public; it's only for my friends.
If you ignore somebody's record and only focus on something that happened 25 years ago when all they were doing even then was trying to stand up for a minority group that felt excluded and discriminated against, then I don't - I think that is a distortion of a person's record. I mean, a person's record is full, not just the parts that you want to use against them.
The younger generation has embraced Twitter and Facebook massively, and they spend most of their time on there. So if I want to reach new fans or keep in touch with my current, I try to use Twitter and Facebook as much as possible.
Mostly, whenever I'm booked to do instruction, I just play a little bit and get people to ask questions. We'll play some music for 'em, 'til somebody hollers out, 'Play 'Milk Cow Blues' or 'Play 'San Antonio Rose.' We play requests and demonstrate our music.
I still make music. I still write music and I record music, I just don't trust music promotion [and] distribution right now enough to record a new set of diligently worked-upon compositions. I do trust the audience and the audiences very much.
In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have. It was a case of pulling whatever resources I had to get the sound I wanted, but that doesn't take anything away from the authorship. They are songs written by me that sound the way I want them to sound. Whether it's my voice or someone else's doesn't make a difference to the music.
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