A Quote by Nnamdi Asomugha
People told me all of the time, 'You could be such a big star if you just talked about yourself more,' but I'm not good at that. It's always been about team.
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I don't know that there's more bullying or whether it's just more talked about. It seems to me that possibly that there's been a lot of bullying all the time, but at the moment, it's something that people are talking about.
I always knew about as a kid, knew that that particular injury at [my grandfather's] finger had been caused in that disaster that killed his brother-in-law, my grandmother's brother. And he never talked about his own brother's death to me. My mother told me about that and told me about the impact on her family. And that's part of what you hear in the first verse of "Miner's Prayer."
I was told I could play at the top long before I realised I could. A few people told me that. I've always had a 'name,' and I don't know how I got it, but I was blessed with people in the right situations saying good things about me.
I was talking to my dad about the stuff he grew up listening to, and 'Operation: Mindcrime' is a record that he had always talked about around the house. He always talked about it as the 'greatest concept album of all time.' One day, I started listening to it, and it just hit me. I was like, 'These songs are all hits. They're all huge songs.'
I talked to George Lucas once, not about Star Wars. Everyone wants to talk to him about Star Wars, and I didn't want to be one of those people. In person - at least on this occasion - he wasn't effervescent and giddy, as the Star Wars movies are. He's more focused.
I always say that, I never talked about the NBA, I never talked about anything because I was just playing basketball for fun. I didn't think about being a professional and I didn't even know you could be signed.
If you're in music, you're in music, and if you're in music you just want to keep making records and playing. That's what it's about, isn't it? At least, that's what I always thought it was about, anyway. I don't think I could bear years and years off. Perhaps in me older, older age, maybe I will, for physical reasons. But to me you've always got to keep proving yourself. I never want to just sit on me laurels. You have to keep forging, to prove yourself to yourself. I always think, every time I start a record, this could be the best thing I've ever done.
Everyone told me I could sing from about the age of ten. My mum was always telling me. But I was so shy, I didn't believe them. And the more that people told me, the more I went into the background and the less likely I was to sing.
I try not to read about myself. Why would reading about yourself be interesting? You're only going to be told you're doing a good job and get big headed about it, or be told you're rubbish and get down in the dumps. What's the point?
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
Fidel Castro just talked a long time, and he talked and he talked and he talked and he talked... and he talked during the meeting. I think it was about four hours. But I guess that's part of the Castro spirit.
My mother helped me to get past that. She was always there for me, until she dies. I remember she told me once, about big hearts and small hearts, and that not everyone could be blessed with a big one that had room to care for a lot of people. She promised me that mine was big, and that I was the lucky one for it.
From 1940 to about 1960, I had been writing just regular comics, the way my publishers wanted me too. He didn't want me to use words of more than two syllables if I could help it. He didn't want me to waste time on worrying about good dialogue or characterization. Just give me a lot of action, lot of fight scenes.
People have always talked about me. People always made fun of me, my whole life. It's always something that's been there. I learned to deal with it at a young age. And as I grew up and it became more prevalent in my life, I was able to control it because I was prepared for each step.
My standup has always been a direct reflection of my life. When I was single, I talked about single stuff. I talked about dating. When I got married there were only a handful of stories I could move over to where I wasn't going to be disrespectful to my wife. So I developed a new routine.
I guess I must just be obsessed with death. Apparently you think about it a lot more as you get older. Maybe you could chart how when I was in my 20s I talked about sex all the time, and in my 40s it's just death.
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