A Quote by Nnamdi Asomugha

In film, there's always this looking for the 'If you lay down and burst into tears, you did a good job.' — © Nnamdi Asomugha
In film, there's always this looking for the 'If you lay down and burst into tears, you did a good job.'
I'm looking to do an honest job, and I don't have any Indian talk show as a reference point. I'm not looking down on them, but I want to do what Oprah did.
You have to lay down in the center of the action lay down and wait until it charges then you must get up face it get it before it gets you the whole process is more shy than vulnerable so lay down and wait sometimes it's ten minutes sometimes it's years sometimes it never arrives but you can't rush it push it there's no way to cheat or get a jump on it you have to lay down lay down and wait like an animal .
When it came down to doing the nude scene, I couldn't hide how humiliating it was for me; I burst into tears.
I saw a huge steam roller, It blotted out the sun. The people all lay down, lay down; They did not try to run. My love and I, we looked amazed Upon the gory mystery. "Lie down, lie down!" the people cried. "The great machine is history!" My love and I, we ran away, The engine did not find us. We ran up to a mountain top, Left history far behind us. Perhaps we should have stayed and died, But somehow we don't think so. We went to see where history'd been, And my, the dead did stink so.
You get such a kick and then it's all over. That's good ground for uncertainty and depression. I usually burst into tears.
So I tried to get my shot with a 50mm and I did it - this is when we're shooting film, not digital. The guy that hired me looked through the pictures and was like, "Oh, this is pretty good. You did a good job." And I was like, "Yeah, I'm sorry. I only had a 50mm. My girlfriend rented the wrong lens..." and he stopped looking at the pictures and he looked up at me and he said, "You shot this with a 50mm? You're hired."
My best film is always my next film. I couldn't make Chungking Express now, because of the way I live and drink I've forgotten how I did it. I don't believe in film school or film theory. Just try and get in there and make the bloody film, do good work and be with people you love.
You would think, in an ideal world, that if you were in a really good film and did a really good job, whether it was a big film or not, you would get hired a lot; but that is not my experience.
One of the reasons I did this, because I wasn't really looking for another science fiction film, was that my daughter can see it. She's 9 and it's really a good film for all ages.
Because she deserved my tears if anyone on earth ever did. I could feel the tears within me, undiscovered, and untouched in their inland sea. Those tears had been with me always.
Even if the film doesn't come out quite as you'd hoped, the process can also be very rewarding. I feel that way about a film called 'Lay the Favorite' that I made with Stephen Frears. I did that because the character was a real leap for me. The film doesn't quite all add up internally, but I feel very proud of what I did on it.
Once lay down the rule that the job comes first and you throw that job open to every individual, man or woman, fat or thin, tall or short, ugly or beautiful, who is able to do that job better than the rest of the world.
I used to blame my problems on other people. But my moment of clarity, if you want to call it that, came when I was looking in the mirror one day and just burst into tears. It wasn't just that I looked bad, it was that I knew my problem was me.
It's my job to make him look good. He's a very good looking man, so it's my job to keep him looking good.
The first time I had sat down to a meal I had grown on my own, along with a bottle of wine that we had made, I burst into tears. To be in touch and be in tune with that is an extraordinary gift.
Tears, idle tears, I know not what they mean, Tears from the depths of some devine despair Rise in the heart, and gather to the eyes, In looking on the happy autumn fields, And thinking of the days that are no more.
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