A Quote by Nnamdi Asomugha
I get a different pronunciation at least every week. I think the worst one, or the funniest one I got, somebody called me, 'Oh-gooz-man.'
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'7th Heaven' was a big ensemble cast, so everyone would get a turn. Basically, I'd get a script that focused on my character and think, 'Oh, I'm working every day this week.' The mindset was I've got more to do, so I had to focus.
That's how you get better on defense; not just 'oh, man, my guy beat me,' but you have to think about, 'okay, my man beat me, so I either have to pick up the next man, or I'm going to give somebody a foul.
In every school, there's always the kid who gets it the worst, and I was, for sure, that kid. Every time you had to get in a line that was boys and girls, it was like my worst nightmare. A lot of kids I know got made fun of for being gay; that was not my issue: I was just called a girl endlessly.
The butterflies I get are not if somebody boos me in the crowd, or somebody talks trash about me during the week, or somebody on ESPN rips me. It's the pressure that I'm putting on myself.
I used to be in a street fight at least twice a week, so locking me in a cage with somebody, with a set of rules and a referee to jump in if something get ugly, and a time limit, like, it don't scare me.
I was named on the worst-dressed list at the Grammys a couple of years ago. I had on Tom Ford, and I thought it was the most amazing dress ever. But I got put on the worst-dressed list. Luckily, at least I was pictured alongside Adele, J-Lo, and whoever - all these superstars who were also called worst-dressed - so that was a good thing!
Nowadays blues in particular has a wide, wide, wide, wide net of everything that's called blues. I think if somebody's coming to it in the last ten years or whatever, or even fifteen years, what their experience is what is called blues is different from mine. I have to expand my range of what's been called the blues. I think somebody who's new to it would have to go back and to see what is called blues now, where it came from. If that makes sense.
When I'm tired, I like to go and do drills where you catch tennis balls off walls. Different colors use different hands, and you've got to react to those types of things at different angles. I do all these crazy reaction-time things or reaction skills with tennis balls every morning, or at least four times a week.
I was fortunate that I was at newspapers for eight years, where I wrote at least five or six stories every week. You get used to interviewing lots of different people about a lot of different things. And they aren't things you know about until you do the story.
It wasn't until I moved to Spain that I actually got my first glimpse of the NBA. I'd watch this program called 'NBA Action,' which came on every week and showed clips from different games.
I'm a character actor and I get lost in these characters, so I think it's only recently that people have begun to connect dots and go, 'Oh, that's the same person that did this, this, this, this and this!' which I take as a compliment. One time somebody called me an illusionist, and that was the nicest thing anyone has ever said.
Over there you think of nothing but becoming President of the United States some day. Potentially every man is Presidential timber. Here it's different. Here every man is potentially a zero. If you become something or somebody it is an accident, a miracle.
You look at somebody like Frankie Edgar and you think, 'oh, that little guy,' this and that. But these guys, they want it. And even if you're sitting there and you think you've figured something out, or got something you're going to surprise somebody with, the first thing you've got to do is have more heart than these guys.
I advise all of the entrepreneurs that I know to attend at least one entrepreneurship event every week. The worst thing an entrepreneur can do is to confine his or herself to a cubby hole.
The 'democracy gap' in our politics and elections spells a deep sense of powerlessness by people who drop out, do not vote, or listlessly vote for the 'least worst' every four years and then wonder why after every cycle the 'least worst' gets worse.
My schedule is completely different doing a play than it is doing a movie, and I actually think it's a much harder schedule because you've got to do it eight times a week and you've got to do it good eight times a week and with different kinds of audiences who are cold or drunk or tired, whatever it is.
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