A Quote by No I.D.

Hit records create slang, and if you create slang, you get into a broader conversation level. — © No I.D.
Hit records create slang, and if you create slang, you get into a broader conversation level.
I beg your pardon: correct English is the slang of prigs who write history and essays. And the strongest slang of all is the slang of poets.
In general, American slang is much better than English slang. The entire world picks up American slang.
There's an old little jingle: 'The chief use of slang is to show that you're one of the gang.' What that means is that every social group has its own linguistic bonding mechanism. If there's a group of lawyers, they have their own slang. If there's a group of doctors, they have their own slang, and so on.
Slang is vigorous and apt. Probably most of our vital words were once slang.
Other dances are like languages, like French or Spanish, but my steps are slang, and slang is always changing.
I've found that there are only two kinds that are any good: slang that has established itself in the language, and slang that you make up yourself. Everything else is apt to be passe before it gets into print.
Slang has always moved this way. From Cockney rhyming slang to codes swapped among highwaymen, they're tribal badges of identity, bonding mechanisms designed to distinguish the initiated, and to keep strangers out.
I found a great book called 'Slang Through the Ages' by Jonathon Green. It's basically a thesaurus of historical slang, and had lots of great old uses.
The fact that slang is apt and forceful makes its use irresistibly tempting. Coarse or profane slang is beside the mark, but "flivver," "taxi," the "movies," "deadly" (meaning dull), "feeling fit," "feeling blue," "grafter," a "fake," "grouch," "hunch" and "right o!" are typical of words that it would make our spoken language stilted to exclude.
Try and write straight English; never using slang except in dialogue and then only when unavoidable. Because all slang goes sour in a short time. I only use swear words, for example, that have lasted at least a thousand years for fear of getting stuff that will be simply timely and then go sour.
I create music; I create painting; I create whatever I want to create. I create, what you say, clothes. I create, I don't know, dance move. I create anything.
Ads create dialogue, they create conversation, they create attention - that's our objective.
I found cause to wonder upon what ground the English accuse Americans of corrupting the language by introducing slang words. I think I heard more and more different kinds of slang during my few weeks' stay in London than in my whole "tenderloin" life in New York. But I suppose the English feel that the language is theirs, and that they may do with it as they please without at the same time allowing that privilege to others.
Down through the years certain fads of slang had come and gone, and their vestiges could be found in Janie's and Mabel's conversation, like mastodon bones in a swamp.
Music is a conversation between people and their community, you know, people and - and deejaying, it is a way of amplifying that conversation and kind of putting that conversation on blast in a way. But at a very basic level, it's records talking to records.
In China, when you get to the airport everyone be talking in American slang.
This site uses cookies to ensure you get the best experience. More info...
Got it!