A Quote by Noah Baumbach

I realize how much I rely on the actors to really know the lines because I tend to forget what they are exactly, even though I've written them. I don't have them memorized. But when it's going well, there is that point where the actor starts to know more about the character than I do.
The only thing I know that makes me feel comfortable is to know as much as I can. Not like what the shots are going to be, but knowing enough about my character that I can forget those things. And more specifically, my lines. I have to know my lines. I have to know something really well, so I can forget it when we're doing it. And there is comfort in knowing, "Okay, there's not another stone that I could have overturned."
Since I've been so honest with them, my fans know me very well so I don't think anything surprises them at this point. I've always told them exactly what's going on in my life and in my head, and because of that, I don't think anything is a huge surprise to them anymore.
Look, there’s nothing I’m ever going to tell you about me that’s the truth. The more you know about me, the shorter your life span is going to be. All you need to know is that I don’t miss. In fact, you don’t even need to know exactly how good I really am, because if you ever find out, you’re going to be dead. (Steele)
It is true that social media, nowadays, is important, but I don't understand everyone needing to know everything about an artist or an actor because it loses the intrigue and mystery. And then, when you're watching them as a character, you can't watching them as a character. You can only watch them as the public figure that they have presented themselves to be. I hate when people say, "Well, that's what you signed up for. That's how it is." No its not. That's not what you signed up for.
I don't want to know about the lives of other actors and I don't want people to know too much about me. If we don't know about the private lives of other actors, that leaves us as clean slates when it comes to playing characters. That's the point, they can create these other characters and I can believe them. I think if you're a good enough actor, that's the way to longevity in the film business. Keep everybody guessing.
I don't cry. Well, you know, I think coming from an acting background that's really helped me because I more than anyone know that an actor creates a character.
As an actor I can sort of smell a duff note, that isn't full of that much conviction. My worst thing with directors is when I know more than them about the character.
If there's anything I know about directing, it's how to make actors comfortable. It's where I started and it's what I know, and it's what I love. I like when the actors are really partners and I want them to be excited and I want them to surprise me. I don't want them to be puzzle pieces.
If there ever is a need or if anyone's hurting, I'm the person they come to because they know what they're going to get. They know I'll pray for them. They know I'll encourage them. It's amazing that I get to be there for people. I'm sure I'll hear later on how God was working in it all, but for me, it's really about loving people well.
I didn't really know exactly the point where I wanted to be an actor. But I know at this point, because I never went to college, I don't really have anything to fall back on.
Some things tend not to work so well for science - things that rely on substantial written contributions by key experts are a case in point - but even there I tend to keep an open mind, because it may just be a case of finding the right formula.
Actors tend to not know how their performances are going to actually be used. Even though the script says one thing, in the edit, it can be something else.
If you break down actual techniques and knowledge of MMA, I am more knowledgeable than the head coaches of all the guys I'm fighting. Forget the guys I'm fighting. Obviously I know more than they do, nobody is going to question that. But I also know more than the guys who are teaching them about fighting. I could teach them.
I start out giving characters archetypes and parameters. Once I know the basics and have a rudimentary model, it's easier to carve unique curves and edges. It's quite easy to guess how a character is going to react if you know their background, and at a certain point, you realize you understand them personally.
I started out as a writer and a director. I started acting because I wanted to know how to relate to the actors. When people ask me what I do, I don't really say that I'm an actor, because actors often wait for someone to give them roles.
CBT is really a miracle. I've seen it help a lot of people, and one of the reasons I'm speaking out is that I don't feel like enough people know it. Through my work, I constantly come across other people who have various forms of anxiety or panic - it's much more common, I think, than people realize - and not all of them even really know about CBT.
This site uses cookies to ensure you get the best experience. More info...
Got it!